#this scene was so well done - the building tension like a horror movie - the fantastic eye reveal - and book lines! gotta love it | Explore Tumblr posts and blogs

httphopewrld · 4 years ago

Text

I Don’t Know What to Call This | (f/m/a)

Just Friends? Friends with benefits? Dating? Questions swarmed your mind when one of your dear friends, Allie, asked about you and Hoseok’s relationship. The truth was you didn’t know. You and Hoseok were close, knowing each other since elementary school, and considered each other friends. However, as you two grew older, maturing into separate professions—you a well-known fashion designer, and Hoseok a famous musician and dancer—you two had engaged in some intimate activities (sex—lots of it.) After Allie’s simple question, you had to confront your feelings. But were you and Hoseok ready to be more than close friends and f*ck buddies?

Pairing: friend/lover/bfhoseok! x female reader

Genre: slowburn fluff and SMUT

Rating: 18+ because there’s swearing and pretty detailed smut

Warnings: swearing and SMUT (one of the most detailed smuts I've written, and there's more than one sex scene.) Smut includes: switch!reader and switch!hoseok, grinding and thrusting, protective sex (USE CONDOMS, I cannot stress that enough), lots of kissing, ass-grabbing, dirty talk, a wee bit of choking on both sides, squirting, male and female oral, fingering and handjobs, vibrator use, cyber-sex, the reader uses dildo, slight degradation, and just lots of filth—YOU'RE WELCOME FELLOW FILTHY ANIMALS. Oh, and spoilers for the horror movie Hush. It's on Netflix if you haven't watched it yet. It is GOOD.

Word Count: 16, 465 (wowie)

A/N: Thank you for waiting! It’s rushed, so expect some little mistakes here an there, but I’m happy with how it turned out. I hope y'all enjoy it! Also, Y/L/N means "your last name."

Taglist: @kirbykook @kleritata @taestannie @jenotation @hemmos-obrien @zeharilisharaban @speed-of-wind @kawaisoraya

⊱ ────── {⋅. ✯ .⋅} ────── ��

“You can move those over there,” you gestured to the left corner of the windowed room, where a pile of boxes waited. The move was going to take longer than you expected because the movers arrived a week later than your assistant, Rachel said. I really need to talk to her about this. You stressed in your mind, rubbing your temples. “Are you okay?” You looked up, vision resuming its focus on your friend, Allie. Allie, your friend for as long as you could remember, offered to help you move to your new building. She would help you manage everything, including the movers, tracking your company's items, and the layout you gave to her for said things while managing the company. “I’m just irritated at Rachel,” you noticed her confusion, “my new assistant.” She nodded, remembering, “Right. Why is she still employed?” “Because she’s new, and being an assistant is a tough feat. She’ll get it soon.” You reassured, “Rachel is a fast learner, and this is her first mistake. We’re prepared for the next show, though, because Westley's helping me organize it.” “Remind me who Westley is?” Allie asked. You sighed. “West is like my second brain. He helps organize the fashion shows, hire the models, find the venues, and secure the guest list. He has other people help him too, but he’s the brains of that. I create the fashion, and he finds a way to present it.” Allie nodded, “Gotcha.” Your phone rang, and you answered. “Y/N.” “Y/N!” Rachel chimed on the other end. “It’s Rachel. I’m so sorry about the mix-up on dates. It won’t happen again, I—” “I know it won’t, Rachel. You’re new, so I expected to slip up. I’ve gotten it taken care of,” you nudged Allie’s arm, and she smiled. “We’re luckily prepared for the next show in Vancouver, so you don’t have to worry about the mess up. All I need you to do now is make sure that my fabrics are coming in.” “Yes! They’ve arrived at the studio.” Rachel replied. "Fantastic. Thank you. That'll be all for now. Check on West if he needs anything." You ordered. “Will do, Y/N. Talk to you soon.” You hung up. The Vancouver show was in five months, giving you and your team enough time to design the clothes for the production and move to the new building. The show's theme was natural bodies of water and nature, a nod to Canada's landscape. The clothing catalogue would include various icy blue shades to represent waterfalls and warm emerald tones like flora and fauna. These colours would be encapsulated in elegant gowns and suits, worn by different body shapes, genders, and colours. The materials would be made from recycled fabrics from your previous shows and from your fellow artists. You were known for designing elegant attire, so it was best to keep to it. However, it was rare to see different sized, coloured, and gendered models on a runway; because of having to customize clothes to those models. Additionally, making clothes from recycled fabrics would be tough. “Okay,” you began, “I need to talk to my design team and plan out the gowns. Can I leave you here to deal with the movers?” Allie gave you a thumbs up. “Thank you,” you smiled, hugging her, “if you need anything, please call me or Rachel, or both. We’ll be back to help.” Before you left, a thought struck you. You turned around to face Allie. “I should just hire you.” She chuckled, “Why?” You scoffed, "Because you're here all the time!" You walked back to her. "Listen, you're the best manager I know. You can be my third brain. You already are, outside of work, so it would make sense." Allie seemed unsure. “I already have my job at Youth and Hope.” You grasped her hands. “You would be given a great wage, not just because you’re my best friend, but because you’re going to be busy with lots of work. You would be handling the management tasks, like West. You’d be given a good amount of vacation, trips for shows and meetings would be paid for—you could get that loft you always wanted downtown.” You wiggled your eyebrows, and Allie laughed. “Don’t I have to go through an interview process?” You brushed a hand through the air. “I can get someone to interview you and officially hire you. Once that’s done, you’ll start getting paid.” You checked your watch, and a quick rush of panic ran through you. “Shit, I’m going to be late. Consider it, alright! Let me know your availability, and we’ll schedule an interview!” “Okay!” She shouted back as you left. . . The coffee had become bitter. You weren’t sure if it was the roast or the fact that this was your fourth cup of the night. It had been a month since the fabrics arrived. Thanks to Allie, your friend and now employee, your move to the new building was complete; however, your designs weren’t translating as smoothly as you wish. "Fuck," you cursed, resting your head in your hands and rubbing your temples. The sketches waited in front of you—the measurements and ideas raking at your confidence. Your designs are redundant. You’ve done something similar last time. Boring. Plain. You turned back to your mannequins, still bare. The theme was in your mind, and your design team reassured you that your sketches were fine, but it all felt fuzzy. “Y/N,” Rachel peered into the studio from the door, “there’s a gentleman here to see you.” “His name?” You asked, still looking at the mannequins. You heard footsteps retreat into the front lobby, then come back to the door. “Jung Hoseok?” You turned around, trying to contain your excitement. “Please send him in.” Rachel nodded, jogging back to the lobby. You heard a muffled “thank you” before heavy footsteps approaching your studio. Hoseok reached the doorway, beaming his signature smile. He wore acid-washed jeans, a baggy white sweater that matched his chunky light sneakers. His dark hair was slightly wavy and parted in the middle. A tote bag was slung over his shoulder. “Y/N!” He cheered, opening his arms wide. “Hoseok!” You replied, running into his arms and hugging him tightly. You couldn’t remember the last time you saw Hoseok—a year or two? “Fuck, how long has it been?” You asked him. He pulled away, thinking. “About six months?” Totally off. “Seriously, it felt longer than that.” You argued. Hoseok pulled out his phone and scrolled through his calenderer and photos. He made a ‘tsk’ sound. “Ah, see here,” he showed you a few photos of you two with his friends, who were also his bandmates, “six months ago, you joined us on tour for a couple days before coming back here. I have it also marked in my calendar.” He showed you the dates, which were marked with ‘💚Y/N’s visit💚.’ “Can Namjoon or Yoongi confirm this?” You crossed your arms. Hoseok mimicked your body language. “I can call them right now,” he challenged. You two stood in competitive tension. You succumbed. “You win this time, Jung Hoseok.” He playfully chuckled. You realized that Hoseok doesn’t live around here. “Wait, why are you in town. Shouldn’t you and the others be in Korea planning another album or something?” You speculated. “Our company gave us a month for vacation because we spent most of the year touring.” Hoseok sighed. “So, I decided to come to visit.” You hugged him again, happy to see someone who wasn’t your employee amidst this chaos of stress. “How long are you staying?” You asked, muffled against his chest. He paused. “Maybe a month?” You pulled away from him, shocked. “A month? Here? That’s all your vacation time.” “Yeah,” he replied, as if that wasn’t a big deal, “I didn’t want to travel to a bunch of places because the group and I have been doing that for almost a year—and it’s pretty chill in this area.” He sighed. “Besides, I don’t think many people would recognize me. The airport wasn’t busy, and I haven’t been swarmed by fans yet.” “Do you have a place to stay?” You asked. He nodded. “Yup! I’m staying at a fancy hotel. I got the suite at the top floor,” he made a gesture with his hand, indicating how high up his suite was. You playfully elbowed his side. "Wow, look at you, Mr. Famous. You can afford a top suite now. Are you sure you don't want to stay with me, though?” Hoseok dismissed your offer with a wave of his hand. “It’s alright, Y/N. Thank you, though.” He peered over your shoulder, “It looks like you’re busy anyway, so I think I’ll just stick to my suite.” He walked past you, over to the bare mannequins. “Are you preparing for that show in Vancouver that you told me about?” You nodded, relaying your theme and ideas to him. He smiled. “That sounds really cool,” he pointed to the mannequins, “but don’t you need some clothes for the show, then?” You rolled your eyes, chuckling at him for being a smart ass. “Yes, I do. I’m brainstorming some ideas right now, but I’m coming up with nothing. I have the design team coming in tomorrow with drafts, but I’d like to bring my own thing to the table, you know? I’m the main brain of this operation, and it’d be embarrassing if I come in with zilch.” You leaned against one of the tables, facing the mannequins. "The tough part is designing gowns that fit the right people, you know. Sure, you can make a collection of clothes, but they won't look good if they don't fit the models." You shook your head. "Maybe it's just tougher to design clothes for different bodies. I should just stick to one type of person and leave it at that." Hoseok walked up beside you, leaning against the same table and facing the figures. “Why don’t you find the models and then design the clothes?” You looked at him, surprised. “But wouldn’t that take a long time?” He crossed his arms, “Well, how many models would you need?” “We’re thinking around seventy. There’s going to be two changes within the show.” Hoseok nodded, and you could see him brainstorming. “Well, you have four months left, right? You and your team can make some drafts, cast the models, and finalize the ideas with said models. Which would take about a couple of months? You could do that while planning the show?” He paused, appearing to notice your hesitant expression. “Think about it. You’ve trained your team well enough to work on its own, right? That’s what you did for your last show, which was a success. You came in every day for a couple hours to make sure everything was in order, then focused on other things.” Hoseok grasped your hands. “You’re great at multitasking, so do it. It’s scary, but you can check on people every day to make sure everything’s alright.” You bit your lip, “I-I don’t know, Hoseok. That sounds like a lot of work—” “You did it last time, and it worked out just fine,” he gently squeezed your hands, “and I’m here for a month. I can help out whenever you need me. I’ll simply clean things up and fetch coffee if that’s what you need.” You laughed, “Like my intern?” “Yeah! I don’t know how to design anything or plan a fashion show, but I’ll do what I can.” He smiled. “You’re so much more than you think, Y/N, and if you need reminders, I’ll be here.” You smiled back at him, so grateful to have him here. “My god, you’re fucking sweet,” you scoffed, taking your hands out of his. Hoseok laughed. You pushed yourself off the table and faced him. “How did we even become friends?” You questioned. He actually gave it a thought. “You joined by dance club in elementary school, when no one else would.” He laughed so hard that he teared up. “I think we actually took club photos, and it was only you and I posing.” You laughed with him, remembering those days spent trying to breakdance to hip hop and presenting dance routines to your parents. “Yeah, that was before you joined that Music Academy in grade four, right?” He nodded, and you sighed, surprised you still remembered. Your mind came back to the present. “So, you’re actually okay with helping out?” You checked. “Why would I ask if I didn’t want to?” Hoseok replied. You tapped your index finger against your temple, “true.” “So, how much do you want?” Hoseok looked offended at your question. You chuckled. “Well, you’re going to work for me, so I need to pay you.” “It’s only just a month, though.” “Yeah, but—” “What about we see how much you have me do before you pay me?” He interrupted. “I might just have to fetch coffee, so you can just give me money on the spot.” You thought about it for a minute. Hoseok yawned. “This work talk is making me tired. Do you want to go out for dinner?” He looked around you, “Unless you have more work to do. I can always wait in the lobby for you to finish.” You brushed your hand through the air, “Nah, it’s okay. I’m pretty brain dead anyway. I need to be energized for tomorrow’s draft review.” Hoseok pushed himself off the table and clapped. “Awesome! Where do you think I’m taking you for dinner?” You bit your lip, trying to guess. “Sushi?” “Sushi it is!” He beamed. You grabbed your things and followed him out of the studio.

Both of you sat towards the back of the sushi restaurant, to Hoseok’s request. The waitress placed you two in a concealed booth, with drapes covering a small entrance.

You two had to take your shoes off before sitting down.

“Why did you say, ‘sushi it is?’” You asked, taking a sip of your water.

Hoseok opened his can of sprite, “What do you mean?”

“You asked where I thought you were taking me, I responded, and you said, ‘sushi it is!’” You reiterated.

He took a sip of his soda before responding, "It's a trick I learned from Instagram." He set his drink down. "You ask someone, 'where do you think I'm taking you for food?' dinner or whatever, and then take them to a place with that food. It's easier than asking 'what do you want to eat?' because people can't decide."

You nodded, making an ‘aaahhh’ sound. “Smart.”

You two caught up while eating your meals. Hoseok chatted about his bandmates and the tour, and you talked about your move to the new building.

Most of it was just adding more details about your lives because you two texted lots during the week and sometimes video chatted. You'd get to see Hoseok and his friends, and he'd get a view of your life on the other side of the world.

To others, it looked like both of you were dating. Both of your friends would tease, singing, "Y/N and Hoseok sitting in a tree, K-I-S-S-I-N-G." Many of his fans, ARMY, would theorize your friendship, pointing out the matching bracelets you two wore—which was later proved normal because Hoseok went live on Vlive making bracelets for his bandmates.

And you two would continually clarify that you two were strictly long-time friends. Nothing more.

Girls and boys can be friends. Simple as that.

You and Hoseok finished your meals. You two shared a few rolls and a bento box and were full.

“That was really good.” You commented, rubbing your stomach.

Hoseok chuckled, copying you, “I think I’m pregnant.”

You laughed, “Shut up! You’re so fit.”

“You’re right,” he replied, pulling up his sleeves and flexing his arms.

You both laughed as he flexed his muscles, which were significantly more prominent than your remembered. You were slightly jealous of his lean athletic figure.

And were gazing at it for too long.

“I don’t know about you,” Hoseok sighed, appearing to be tired from the food and flexing his muscles, “but I’m in the mood for some Ben and Jerry’s.”

Your eyes lit up. “YES.”

“Cookie dough with chunks?” You both said in unison.

You two erupted in laughter.

"I'll go play," Hoseok said, getting up.

You stopped him, “It’s alright,” you smiled, “my treat.”

Before you left the booth, you turned around and said thoughtfully, "But you're getting the ice cream."

Hoseok's expression conveyed the same seriousness as if a soldier on a mission.

He saluted you. “Copy that, Y/N.”

You saluted him back and left to pay.

The walk to Ben and Jerry’s was quick. Both of you were eager to share the tub of ice cream.

You ended up getting a chocolate chip cookie dough and a cherry Garcia pint, and two spoons to share. You both ate the ice creams with delight while walking back to your apartment building.

When arriving at your building, Hoseok handed you the cookie dough ice cream pint.

“What are you doing?” You asked while he gave you the closed pint.

He tilted his head to the side, confused. “What do you mean? I’m dropping you off at your place.”

You gave a shocked expression. “Dropping me off? We’re not even done our pints!”

“But you have work tomorrow. I don’t want to keep you up.” Hoseok stepped back towards the edge of the sidewalk. “I can catch a cab back to the hotel, don’t worry.”

You balanced the pints in one hand and used your other to grab his arm.

“You’re not going anywhere,” you said, pulling away from the curb and closer to your building.

Hoseok pulled his arm out of your grip. "Y/N, you need to be well-rested—"

“At least help me finish the ice cream.” You interrupted, holding up the pints that were now in both your hands, along with your spoon.

“We haven’t seen each other six months, and it’s only…”

Hoseok pulled out his phone. “Nine.”

“Exactly!” You expressed. “It’s only nine. I don’t need to be in until nine-thirty tomorrow morning. As long as you’re out by eleven, that gives me an hour to get ready for bed at twelve, and I will wake up at eight. Plenty of rest!”

You watched his unsure expression.

"If you don't want to go home at eleven, that's fine by me. Could you leave earlier? Or you can go back to your hotel if you want. I won't take offence; you know me." You held up your arms in surrender, ice cream pints still in your hands. "But if you're leaving because you're worried that I won't get enough sleep, don't. I'm a grown woman. I know how to take care of myself, and I want you to come in.

Hoseok bit his lip, appearing to debate the offer.

He sighed. "Fine, I'll come in. However, I don't want to get a text from you complaining about being tired in the morning."

“I swear,” you promised, pretending to draw an ‘x’ over your heart, “I cross my heart.”

Hoseok chuckled, and you led the two of you into your apartment building and into the elevator. You pressed the twentieth button, and you two waited in comfortable silence.

The elevator doors opened, and you two walked to your apartment.

You opened the door to your studio apartment, locking the door behind you two and hanging up your bag along with your keys.

“Want anything to drink?” You asked, setting down the ice cream pint in your hand and taking off your coat.

Hoseok set down the cookie dough pint on the coffee table. “Anything is alright, thanks,”

You hummed, getting both of you bottles of black cherry soda and bringing over the cherry Garcia pint and your spoon.

"Jesus, do you need help?" Hoseok asked with worry, seeing you holding the bottles by their necks in one hand and the ice cream pint and spoon in the other.

You chuckled, “It’s alright, just sit down.”

You two sat on the couch, twisting off the caps on your sodas and taking a sip.

Hoseok sighed. “That’s really good,” he gestured to the pop before putting it down on the coffee table.

“Yeah! They’re so addictive,” you replied, setting coasters under both of your drinks.

Both of you continued to reminisce about your childhood, especially middle school. The puberty years had been gruesome to you two, speckling your faces with acne.

You pulled out a photo album you kept on one of your bookshelves, which had pictures of your families and your younger selves—even photos when Hoseok was training, before debuting with BTS in 2013.

“Oh my god, look at you!” You gasped, showing him a picture.

In the photo, Hoseok arms were crossed over his chest, his attempt at having swagger. He wore a collared shirt, and his hair was short.

“Oh god, no,” Hoseok cringed, gently pushing the photo away.

You chuckled, "You were so adorable, always dancing and having a good time." You smiled. "You are such a hard worker, practicing so much. I remember you twisting your ankle but still practicing."

You looked at him tenderly. “I wish people could see that.”

Hoseok smiled back at you, softly touching your hand. You grasped his hand, feeling butterflies in your stomach.

He was the first to pull away.

“You remember our sleepovers?” He asked.

You giggled, "Yeah when you could leave that cramped place you shared with the boys."

He swatted your arm, “That apartment was good! It was where everything started.” He pouted. “Anyways, we would always look up deep questions to ask each other—or would you rather.”

You rolled your eyes. “Those questions were overrated.”

“I thought they were nice!” Hoseok defended. “We got to know each other more, like, ‘what is your biggest fear?’ or ‘what is your biggest pet peeve?’”

He must've seen your unimpressed expression because he continued, "You got to admit that you learned a bit more about me because of those questions!"

You sighed. “I did, I guess.”

Hoseok held up his index finger, seeming to signal ‘wait a minute.’

He pulled out his phone. “Let’s try some now, then.”

“Hoseok—”

“Come on,” he interrupted. “If you don’t learn anything new about me from the first four questions we do, then we can stop, alright? I will never bring up these questions ever again.”

You debated his offer.

“Fine.” You agreed, setting down the photo album. “Shoot.”

“Okay, but we both pick two questions and answer all of them. For example, when we ask a question, the other person answers before the picker.” Hoseok said while he scrolled.

You hummed, understanding his instructions.

“Want to do would you rather?”

“Sure.”

"Sexy edition?" Hoseok wiggled his eyebrows. "Unless you're uncomfortable."

You scoffed. “Hobi, we're grown, adults. I can take a few sexual questions."

“Okay,” Hoseok replied, “but if you ever feel uncomfortable, we can choose another question or stop.”

You nodded, and Hoseok appeared to find what he was looking for.

“Alright,” he began, “would you rather bite someone’s ear during sex or bite someone’s lip during sex?”

This is pretty vanilla. You thought.

"Lip, for sure." You emphasized the 'sure' in your sentence, stringing along with the 'er' sound.

“Same,” Hoseok agreed while passing you his phone.

You took his cell and strolled through the website.

What do I choose? Do I just dive in, or go for the vanilla shit?

“Would you rather engage in foreplay or go right into the main course?” You asked.

Hoseok thought about it. “I would say foreplay. You can warm things up—and nothing is more fun than teasing.” He shimmied, making you two laugh.

You agreed, passing the phone to him.

“Oooo, here’s a classic,” he grinned, “top or bottom?”

“I think I’m a switch,” you replied.

He tilted his head.

“It’s like, you’re both, top and bottom. I like to take control sometimes, but I can also sub.” You explained. “You?”

“Top,” he replied, “for sure.”

You laughed, “You sound so against being a bottom.”

He laughed too. “I like pleasuring the person I’m having sex with. Nothing is more satisfying than making someone cum.”

“True,” you admitted.

You found your mind wandering to unholy memories of you and Hoseok. What was odd about your friendship that—to put it blatantly—you two had sex. Not just once, but a few times.

This is why asking these questions was pretty casual and not too surprising.

You two started engaging in sex a couple years ago. You were stressed about your company starting, and Hoseok was in town. He offered to help you relax, and before you knew it, he was drilling into you from behind.

Both of you agreed to stay friends but continued to have sex every now and then. It was great, you had to admit. Probably the best sex you had in your life, and it was good that you two were able to keep your friendship platonic at the same time. Only, it was sex without the romantic feelings.

To be honest, you were craving it again.

He passed you his phone again, and you tried to pick a good last question.

“Would you rather kiss me gently or kiss me aggressively?” You asked.

Hoseok paused before answering. “Depends on the mood.”

“Well, at this moment, then, what is the mood?”

You watched Hoseok’s eyes shift between your lips then your eyes.

“Aggressively.”

You hummed. “Good to know.” You passed him back his phone. “Last question.”

Hoseok chuckled, “You seriously didn’t learn anything new?”

You shrugged. “I guess not.”

He didn't seem bothered, though, when his body shifted closer to yours.

When he looked back up at you, his expression changed. Although his eyes were already an opaque shade of brown, they had darkened.

I know that look.

He smirked. “Would you rather make the first move or receive the first move?”

You bit your lip, gazing up at his body.

Before you could reconnect with his eyes, you heard his phone drop, and his lips were on yours.

Just like his answer, his kisses were aggressive and needy. You could taste the cherry cola and ice cream on his lips and mouth.

You pulled his face closer, wanting more.

Hoseok’s body language opened up, allowing you to get up and straddle his lap. You felt his hands inch up your shirt and tug at the fabric. He helped you take it off, which gave him access to your breasts.

You felt him undo your bra with a quick flick of his fingers, and you tossed it off without a care.

Hoseok let out a chuckle before claiming your lips with his.

His lips were intoxicating, and you wanted more.

“Please touch me,” you begged against his lips.

He hummed, grazing his hands down your back before roughly grabbing your ass. You moaned, and he held you against him, hard enough to feel him grind into you.

“Fuck, stop teasing,” you pulled away, and he laughed.

“Baby, I’m not teasing,” he smirked.

Baby. The term of endearment made your heart swoon.

You weren’t always this infatuated by Hoseok. But the way he came to visit you during his break, had dinner and ice cream with you, and kissed you this good—it made you want more than just a fling.

But you couldn't think that way. It was sex. You two were doing this to get off, not engage in lovemaking.

Hoseok swiped his tongue over his bottom lip, eyeing your figure. “You know what I want.”

You ran your hand up and down his chest. “What are you waiting for?”

Hoseok's hands came underneath your thighs, and he picked you up, walking you to your bedroom. He used your body to close the door, slamming you against it.

He ground himself against your core, causing you to moan louder than you expected.

You covered your mouth in embarrassment.

Hoseok chuckled, “It’s okay,” he pulled away enough to graze his thumb over your cheek, “I love it when you moan.”

You rolled your eyes, kissing him and grabbing his ass, causing him to grind on your core.

"Fuck, I can practically feel that you wet," he groaned, trying his best to hold you up and sturdy you against the door.

“B-bed,” you choked, one of his particular thrusts stroking perfectly against you.

Hoseok moved you towards your bed and gingerly placed you down. He kissed down your bare chest and slowly took off your pants and underwear.

“Fuck, your perfect,” Hoseok awed, softly running a finger through your wet heat.

His cold finger sent a wave of pleasure through you, making you flinch.

Hoseok hummed. “So wet for me,”

He looked up at you. “May I?”

You nodded, but he only smirked.

“Words, baby,” he put a hand to his ear.

“Please,” you bit down on your lip.

You felt him spread your lips, and you clenched in response. He appeared to savour you, taking his time as he ate you out.

When you moaned, he’d hum, sending vibrations into your heat that brought you closer to your climax.

“Fuck, I’m close—”

He pulled away, licking his lips and gazing down at you.

“Hoseok—”

“You taste better than I remembered,” he commented. “But I want you to cum around me.”

God, I love his dirty talk.

You watched him take off his clothes. He must've been working out because he was more toned than six months ago.

He was about to line himself up with your entrance, but you stopped him with your foot on his chest.

You smirked. “Not yet, baby.”

You stood up. “Sit.”

Hoseok sat on the bed, your roles shifting.

“But I want—”

You interrupted his beg with your hand around his erect cock. He appeared to be speechless as you run your hand up and down his shaft.

“Hm?” You asked, chuckling lightly at how easy it was to make him submit. “What do you want, baby?”

“I-I wanted,” he stuttered, thrusting slightly into your hand, “to cum inside you.”

“Is that so?” You questioned, pulling your hand away.

Despite his vocalized want, he whined when you pulled away.

“I’m only doing what my baby wants,” you shrugged. “Condoms are in the bottom drawer on the right.”

Hoseok dashed over to the bedside table, rummaging for the condoms.

“Those should fit you, right?”

"Yes," he replied, opening the familiar wrapper and unravelling it on his erect member.

He stood there for a minute, wrapped penis and naked, just fondly looking at your nude figure.

He whispered something under his breath.

“Hm?”

“Nothing,” Hoseok blushed. “You still want to fuck?”

“Yes.”

“Top or bottom?”

“Top please,” you smiled.

Hoseok laid down on your bed, and you climbed onto his torso.

“Fuck, you’re so wet,” he cursed as you moved off his abs and onto his cock.

A wet puddle was left on his abdomen, which he wiped away with his fingers, then putting said fingers into his mouth.

“So good,” he groaned.

You hummed in response, slowly sinking onto him.

"Fuck, you feel so good," you said when you bottomed out.

You started moving, swaying your hips back and forth. Each time Hoseok's cock would graze against your g-spot.

His hands were placed on your hips, guiding you on him. You could feel yourself clenching around him and your climax building up.

“I-I’m close,” you stuttered.

Hoseok swallowed, “Me too.”

“Ch-choke me,” you requested as you picked up your pace.

Hoseok grinned. “Only if you choke me back.”

You chuckled and rolled your eyes. Hoseok gently wrapped his hand around your neck, and you did the same, slowly applying pressure.

You felt your thighs burn from exhaustion. "F-fuck me," you cursed, slowing down.

Both of you let go of each other's neck, and Hoseok flipped you two over, still inside you.

"It's okay," Hoseok assures before resuming the pace.

His thrusts were rough and deep, and he pushed your thighs against your chest.

“Fuck, please keep going,” you begged.

“Can I choke you?” Hoseok asked.

“Please,” you replied, “do you want me to choke you too?”

“Yes,” Hoseok responded.

You felt yourself rhythmically clench around him. Hoseok must’ve realized because he began thrusting faster into you.

The room was filled with unholy noises. You could hear the wet sounds of your entrance and the impact of Hoseok’s hips against your core.

“Fuck don’t stop,” you choked out.

The knot building up in your abdomen unravelled, and pleasure and relaxation spread through your body. Your core gripped onto Hoseok like a vice.

“H-Hoseok,” you stammered, your core overstimulated.

“I-I want you to squirt,” he replied, continuing his firm thrusts.

“Oh,” you moaned.

He pounded deeper into your core, to the point where you could feel his tip ram against your cervix.

“Ah!” You screamed, feeling yourself gush around him.

“Fuck, so good,” Hoseok groaned. “I-I’m cumming.”

You felt the condom fill up inside you, and you felt disappointed that his cum couldn’t coat your walls.

His thrusts slowed down, and he stood still for a few moments.

When he pulled out, you shivered with oversensitivity. You knew that your sheets would be a mess and weren't looking forward to cleaning them when Hoseok left.

You looked up at the ceiling, breathless, while you heard Hoseok walk away from the bed.

“Where do you put your towels?” He asked.

“In the hallway, in the closet beside the dryer and washing machine.” You replied.

You heard him walk into the hallway and the closet door open and close. “Thanks,” he said. “And your bedsheets?”

“The closet in my room.”

You heard him walk back into your room, open your walk-in closet that led into your bathroom, and shuffle around. The tap ran in your bathroom for a couple seconds, then the sound of Hoseok wringing out something.

You began to sit up, but he hushed you to lie back down.

“Just relax,” he soothed, placing the clean bedsheets on your bedside table and walking over to you with a damp cloth.

“You don’t have to—”

He placed a hand on your thigh. “It’s okay,” he reassured.

You two exchanged a quick smile before Hoseok began to clean you up.

“You didn’t even cum on me,” you chuckled as he gently wiped your inner thighs.

“I know,” he replied, “but I still made you messy.”

When your thighs were no longer covered in your cum, you two changed your bedsheets.

“You good sleep in the same bed?” You asked while folding over your duvet.

“Sure,” He smiled.

You walked into your closet. "There should be some clothes that fit you. I usually wear men's clothes at home, anyways. It's crazy how great the quality men's clothes are compared to women's clothes." You picked out a t-shirt and sweatpants and tossed them at Hoseok.

He caught them, “Thanks.”

You two showered separately and spent the time getting ready together dancing to tunes.

If someone were to walk into the room, it wouldn’t look or smell like you two just had sex. You two looked like close friends having a dance party before going to bed.

Again, after you two had sex the first time, you both agreed to stay friends. It was easier said than done.

It was awkward initially, but you both were able to get past that by talking it through. Hoseok would ask how you felt during sex and what could have been better, and you would return the question.

Now, you both were able to have a good time and intimately learn more about each other.

Sure, it was strange, but it was a mutual agreement between consenting adults and fun.

The sex was fun—great, really—and you couldn’t have it any other way.

But you would be lying to yourself if you didn’t feel like something was missing.

“Good morning, everyone,” you greeted your fellow designers, “this is Hoseok. If you don’t know him already, he’s a well-known musician and one of my closest friends.”

Everyone welcomed Hoseok with a warm round of applause.

“Thank you, it’s a pleasure to be here.” Hoseok thanked.

“Hoseok will be helping out here and there while he’s vacationing here for a month,” you explained, “so take it easy on him.”

People shared chuckles at your joke.

"Anyways, let's start looking over the design ideas. You all are very talented artists, and I want you to remember that this is a draft, which means that these ideas are not final. If your idea is rejected, it's okay. We'll continue to work on a collective theme for the show."

The morning was spent listening to everyone's design concepts. To follow your reputation, the designs were contained within suits and gowns. As mentioned before, the theme was Vancouver's nature, where the fashion show would be taking place.

You and your design team used the recycled fabrics—which were separated by colours, textures, and materials—while figuring out your drafts.

You asked your design team to draft some ideas because you couldn't think of anything to present.

You were pleasantly surprised that your whole team had ideas that you approved.

“This a phenomenal,” you awed, “Great job, Erinn.”

“Actually,” you grabbed the attention of the other team members, “you all did a great job. We will be using all these ideas for the show.”

Your team shared cheers.

“Y/N,” Rachel nudged your shoulder, “I’m sorry to ask, but now that we’ve got the designs all in order, what about the models? You wanted to have various body types, right?”

“Don’t worry, I’ve got that covered,” you whispered back.

You turned back to your design team. "You all know that this show is tougher than our last one because we are trying to include more body types, genders, races, just different kinds of people. Which means that we will need to cater our clothes to the models, rather than the other way around.” You smiled, “So you all can go home for the next week.”

You heard Rachel choke on her inhale.

"Although you all have the week off, I want you all to try drawing your designs on other body types. Experiment with materials and colours. Remember to take some of the recycled fabrics home with you, and feel free to come in to pick anything up. Just let Rachel and I know in advance, and we'll give notice to the front desk so they can let you in. When we reconvene in a week, which would be next Friday at nine-thirty, I need you all to be ready to translate your designs, colours, and materials to our models." You ordered.

“Any questions?”

Comfortable silence amongst everyone.

You nodded. "Awesome. Good luck, everyone. Contact me if you have any questions."

Your team started packing up.

“Y/N, does that mean we’re spending the next week casting?” Rachel asked.

“Yes, Rachel. Please contact Westly and schedule lunch tomorrow at noon to discuss modelling criteria. It’s probably going to be pretty loose, but we need to contact Westly before sending it out.” You answered. “If he’s not free at that time, try figuring out something later tomorrow. Then book a reservation for three at Romeo’s.”

“Alright, on it,” Rachel replied.

You turned to Hoseok, who seemed shocked.

“What?” You blushed.

He continued his surprised expression. “I haven’t seen you like this before.”

You chuckled. “How else are you supposed to run a company and organize and execute a fashion show in 3 months?”

Rachel tapped you on the shoulder. "Westly can do lunch tomorrow, at noon, at Romeo's. He and his team secured the venue with Vancouver Fashion Week and are currently collaborating with the interior designers to figure out how the place will look. West said he'll debrief you tomorrow, at lunch, about the rest of the progress."

You smiled. ��Great! Thank you, Rachel. You can also take the rest of the day off.”

Rachel appeared to be stunned, not responding to your words.

You waved a hand in front of her face. “Rachel? You can take the rest of the day off.”

“Are you sure, Y/N?” She asked.

You chuckled, “I wouldn’t be telling you to if I wasn’t sure, would I?”

She gave it a thought. “I guess not.”

You grinned. “Just meet me at our main building tomorrow, at eleven-thirty, and we’ll go to Romeo’s together.”

Rachel nodded. “Thank you, Y/N,”

“No worries,” you smiled.

You and Hoseok watched her leave, leaving you two alone in the studio.

“I’m sorry, it passed my mind. You’re okay not joining us for lunch tomorrow, right?” You asked Hoseok.

He dismissed your apology by brushing a hand through the air, “It’s all good. You’ve got your shit to do.” He smiled, “It gives me time to tour around a bit, anyways.”

“Good,” you replied. “So, where to?”

You pulled apart the croissant, eating pieces one at a time. The butteriness covered your tongue in a warmth that mixed well with the iced coffee you and Hoseok shared.

The park was surprisingly empty, despite it being a Friday. Usually, it would be tough to find a spot decently away from others, mostly shaded by trees.

The inlet was a few meters away, allowing you two to see sailboats pass by. People also kayaked and canoed, and you could hear their laughter faintly on land.

Here, you and Hoseok would be shielded by looming trees and away from potential fans of Hoseok. It was a rarity to have those two things when spending time with Hoseok: privacy and security—peace and quiet.

“This is what you wanted to do?” You asked, finishing off the croissant.

He nodded, sipping the iced coffee. “Yeah. It’s quiet and nice here.”

You two people watched, enjoying the breeze and serene environment.

“I was thinking,” you cleared your throat, “about last night. Did you enjoy it?”

Hoseok set down the iced coffee. “Yeah. I always like hanging out with you.”

“I mean—the sex.”

He seemed shocked by your question.

“Yeah, that was good too. Why do you ask? You never brought up before.” He pointed out.

Because I am growing feelings for my childhood friend, who I now have sex with for fun. This wasn't a part of the agreement, I know. We agreed to not grow feelings for each other and just have sex for pleasure. But it's inevitable to develop feelings for someone you have sex for, right? Like, there are probably people out there that can distinguish sex from love—and I guess it started out like that—but for us?

Am I crazy?

“No reason,” you sighed. “I just wanted to know if there was anything I could have done better.”

Hoseok turned his body to you, smiling. “It was perfect.”

He gestured with his arms for a hug, and you obliged. His cologne smelt of freshly peeled oranges; it was a pleasant fragrance, and you found yourself snuggling closer.

The past month went by in a busy blur.

The model casting went well. You and Westley found fantastic individuals to present your clothing line, which was in the process of being altered to fit those people.

The venue was secured, and the guest list was being made by You and Westley.

“Maybe invite Hoseok,” Westley suggested.

You shook your head, “I can’t.”

"Why not?" He retorted. "The worse thing he could say is 'no,' and you can invite the whole band." He giggled. "Maybe I can meet Jimin in person."

You chuckled, “So that’s why you want me to invite Hoseok. Just because you made eye contact with Jimin for more than five seconds, it doesn’t mean that he’s into you. He’s straight.”

“How do you know?” Westley had a hand firmly on his hip.

“W-well, I haven’t asked him personally—”

"Then you can't assume he's straight!" Westley exclaimed. "The baseline isn't being heterosexual."

“True. Anyways, let’s get back to the guest list.” You chewed on your lip. “We have Harry Styles, BLACKPINK, Lizzo…”

Both of you ran down the list of a thousand attendees to the show in Vancouver. It was way smaller than fashion week or any of your previous shows, but it wasn't meant to be a big party.

Y/N [14:00]: Hey! Are you free and the boys on March 1st at 1 pm for about four hours, including an after-party until 10 pm, with food?

Hoseok [14:30]: Hiiiiii!! Sorry for the late text. I was asking the others. Yeah! That’s in 4 months? 🧐

Y/N [14:31]: Yeah, it’s for my fashion show. You can ask your company for that time? We’d provide the plane tickets and accommodation. You’d probably stay 3 days and 2 nights? You’d fly in the first day, sleep the one night, then attend the show the second day, sleep the second night, and fly out the 3rd day. I’ll need to know by the end of the week.

Hoseok [14:32]: Sounds good!!! I’ll ask my managers and let you know 👊

Y/N [14:33]: Awesome! Thanks 💚

Hoseok [14:33]: Np 💚

“So, Hoseok and the boys can come, but he has to confirm with his managers. He’ll let me know soon.” You relayed to Westley.

"Great! As long as we get confirmation from Hoseok at the end of this week, we can send out the invitations. We've checked with everyone's management, and they all seem to be busy. Worse comes to worst; we'll just have to move seats around." Westley advised.

He closed his laptop, and you followed.

“Alright, that seems to be all of the guest list business. I’ll get my team to start organizing plane tickets and accommodation.” He sighed, “shall we head to the studio to check on the design team?”

“Yes,” you replied.

Both of you were driven to the studio to check on the design team.

The studio was filled with models of various shades and shapes. Music played quietly in the background, and your coworkers and models grooved to the tunes. Designers pinned fabrics around people’s figures and sketched down measurements and ideas.

You and Westley went around checking on everyone, making sure gowns and suits were well in progress. A smaller group of people created ideas for shoes and were sending them out to shoemakers.

The rest of the day was spent getting to know the models, fixing measurements, finalizing some ideas, and briefing everyone about the plan for the next two months.

"Please have the gowns, suits, and shoes by the end of this month so we can start having the makeup artists consult all of you; to make sure the makeup correlates with the clothes and the models." You informed. "Thank you, everyone, for your amazing work."

Scattered “thank you”s responded, and our workday was over.

“You want to get some drinks?” Westley nudged.

You nodded, frankly too tired to answer but eager for a drink.

Both of you decided to walk to the high-class bar, which allowed private areas in the back for paying customers. You and Westley sat alone, away from the crowds of people near the entrance of the bar.

“To having a productive three months,” Westley sang, holding up his martini.

You sighed, “Cheers,” you tapped your peach Bellini glass against his, admitting a chime.

"Fuck," Westley cursed at the sip of his drink, "they're always stronger than I remember. "Anyways, the show is pretty much underway. Guestlist is handled, the venue is prepped and ready for us, the clothing is almost done. Oooo, I can’t wait to see it all together.”

You nodded.

“You don’t seem so excited, Y/N.”

“I am,” you replied.

“But?”

“I am excited.” You affirmed, although not living up to the word

Westley silenced, knowing when not to push your buttons.

He took a careful sip of his martini. “Where’s Hoseok?”

You fidgeted with your glass. "Hoseok went back to Korea. He only had a month of vacay, so," you left the sentence adrift.

“Did you enjoy his company?”

“Can we not talk about him right now? I rather not mix work and personal life.” You stated.

Westley acknowledged with a firm nod, finishing off his martini and asking for another.

“May I ask a question?”

“Sure.” You replied.

He cringed. “But if I ask, promise me you won’t fire me.”

You turned to him. “Depends on your question. You have to ask me first, then I can decide whether or not to fire you. I cannot make promises.”

“Why are you so off all of a sudden?” He genuinely asked.

You took a deep breath. “I’m not going to fire you, not for a long time. You’re my best worker, and I can’t let you go.”

"I feel like there's going to be a 'but' somewhere. Might as well rip off the Band-Aid." Westley sighed.

You nodded, “You’re right. And you’re right about my mood. I’ve been kind of off lately.”

“Because of Hoseok?”

"Yeah, to be honest." You admitted. "I feel like we're really close—more than just friends. We're on the same wavelength, you know? And whenever we're apart for a long time and then meet up again, it's like time has passed."

“And let me guess, you haven’t told him because you’re afraid to ruin your friendship.”

You scoffed. “There’s no need for sarcasm, West.”

He rolled his eyes and sighed. “I’m just saying, it’s the oldest narrative in the book. One friend is falling for the other, and that one friend doesn’t want to confess their feelings because they’ve known the other person for years and are afraid of ruining that connection.” He took a sip of his martini. “But in the end, it’s two friends just pining over their feelings of love for each other.”

“But we’re different.” You argued.

"I guess so. The narrative doesn't really specify one friend is a famous fashion designer and the other being a famous musician—"

“I mean,” you interrupted, “we have sex every time we see each other.

Westley's mouth fell open in a silent gasp. His hand was placed on his chest, and his eyes stared into yours.

He tipped back his martini into his mouth, finishing it off. “Well, you didn’t mention the friends with benefits part.”

“I know!” You groaned. “That’s why it’s so complicated.”

"Is it really, though? Wouldn't confessing your feelings after you two have had sex so much make it slightly easier? Because it makes sense to grow feelings for someone you've known for a while and have had sex with on multiple occasions." Westley speculated.

“I didn’t say we had sex on multiple occasions—”

“Honey,” he began, “you said you’ve had sex with him every time you see each other, and you two meet a lot. It doesn’t take a detective to figure it out.”

"Anyways," he digressed, "the sooner you tell him, the better. There's no use debating over it for years, then finding out he's found someone else when he would've picked you anyways."

"Gosh, when you say it like that, it sounds like a romantic movie." You cringed, finishing your peach Bellini.

He shrugged. “Well, it kinda is.”

You chuckled. “Well, thanks for the advice.”

“Thank you for filling me in,” he smiled.

The week went by fast. Your design team was still working on alterations, so you were left brainstorming hair and makeup and contacting specialists in those fields.

You were sitting at home, knee-deep in Pinterest boards when your phone buzzed.

You stopped strolling through your laptop and peered down.

Hoseok [19:30]: We can come to your show!

Y/N [19:30]: Fantastic! I'll let my team know, and we’ll send out the invites.

You texted Westley, informing him that BTS could attend the show.

Westley [19:33]: Great! I'll let the rest of the team know, and we'll send the emails out tomorrow

Y/N [19:34]: Thanks!

Westley [19:35]: Np

You set down your phone and continued to add ideas to your private Pinterest board.

Your phone buzzed again.

Hoseok [19:55]: What are you doing right now?

You were puzzled.

Y/N [19:56]: Nothing much, just brainstorming ideas for the show. You?

Hoseok [19:57]: Just chilling in my room.

Hoseok [20:05]: I miss you

You chuckled at the text, thinking that Hoseok was drunk.

Y/N [20:05]: I miss you too, Hobi.

Hoseok [20:08]: …how much?

Again, you were puzzled by his text.

Y/N [20:10]: Wdym? I miss having you here? Is that what you mean?

Hoseok [20:11]: I mean, do you miss me intimately?

Y/N [20:14]: Like sex-wise?

Hoseok [20:14]: Fuck, I need you, Y/N.

You stared at his words.

Hoseok [20:18]: I miss your body and how perfectly you fit around me.

Your cheeks flushed.

Hoseok [20:21]: Can you video chat? Unless you’re not in the mood.

You panicked.

You were in the mood but weren't presentable. Your hair was messy, and you weren't wearing any makeup, and you were dressed in a hoodie and sweatpants.

Y/N [20:23]: Yeah, I’m in the mood. Just give me 5 mins.

You quickly got out of your seat and ran to your bedroom. You sifted through your closet and found the sexist clothing item you had: a red lingerie set. You quickly undressed and put on the set.

You looked into your full-length mirror and tried not to cringe. Your hair was a mess, and you weren’t wearing any makeup. It definitely looked like Hoseok's text came out of nowhere—and it did, but you somehow expected yourself to be decently presentable.

However, the lingerie set was doing you favours. The set was composed of a crotchless thong and a bralette that exposed your nipples.

Y/N [20:28]: I’m ready.

Your phone rang, and you answered, quickly propping it on your drawers across from your bed.

You were faced with a shirtless Hoseok, his cock already in his hand.

“Fuck, you look amazing.” He complimented breathlessly.

“Wow, you’re ahead of the game—and really? I’m a mess.” You chuckled.

He hissed, flinching in his grip. “Fuck, just take the compliment, Y/N.”

You cleared your throat. “Thank you.”

You sat a pit forward, angling your breasts towards the camera.

“What are you imagining, baby?” You purred.

“Y-You,” he stuttered, moving his hand up and down his cock.

“Mhm,” you moaned, “thinking up my pussy clenching around your cock, making it all wet.”

He nodded.

"You can do something if you want," he suggested. "You said you were in the mood."

Your eyes opened wide. “Wait a minute.”

You brought the phone with you on your journey, going back to your closet and fetching your dildo, lube, and vibrator. You hurried to the bathroom and propped your phone up against the closed door.

You suctioned the bottom of the dildo onto the titled floor. You placed the vibrator on the bathroom counter.

“You want to watch me bounce on this dildo and think of you?” You smirked, rubbing lube onto your hands, onto the toy, and onto your vagina.

“Fuck, yes,” he replied, stilling his hand around his cock for a moment.

“Did I say you could stop?” You spat.

“I’m waiting for you,” he smiled, making your heart melt.

You paused over the dildo, smiling back at him. “Awww, that’s actually kinda sweet. Thank you.”

You quickly washed your hands and grabbed the vibrator.

You crouched down and slowly onto the dildo.

“Fuck,” you moaned, tilting your head back at the feeling of being filled up. It didn’t hit the spots Hoseok did, but it was good enough.

You lifted yourself up and sunk back down again, rhythmically repeating the motion.

“Fuck, so good,” you sighed, overlooking the pain in your knees.

“That's right, baby, imagine me filling that pussy up," Hoseok groaned, following your rhythm while pumping his cock.

“Fuck yes,” you replied, “and I’m clenching around you so tight.”

You two exchanged moans at the sound of your pussy squelching around the dildo.

“Use the vibrator, baby,” Hoseok purred.

You hummed, grabbing the rose gold vibrator and turning it on. You place the buzzing toy on your clit, feeling pleasure rippling through your core.

“Fuck,” you hissed, speeding up your pace a bit.

“I-I’m getting close.”

“Yeah, baby?” Hoseok smirked. “You get off at me rubbing my cock? Imagining me buried inside your pussy, making you feel so good?"

You nodded. “But it’s not as you, baby.”

“I know—” He choked, appearing to be on the brink of his climax. “I fucking miss the way your pussy fit so well around me, no matter how many times I fucked you open.”

“Mhm,” you bit your lips, watching him with hooded eyes. “Don’t stop.”

“Who knew you were filthy enough to cum during cybersex?" He observed. "I'm not even there to touch you, but just thinking of me inside has you in ruins.”

“What would you do if I was with you right now?” You asked.

“I would fuck you until you couldn’t walk the next day,” he replied, “I’d fuck you until that pretty pussy is swollen.”

"F-fuck, I'm going to cum," you stuttered, feeling the familiar build-up in your core.

“M-me too,” he stammered.

You watched his head tilt back in pleasure and his cum squirt up from his cock.

“Fuck!” You cursed, feeling your pleasure shoot out of your core and onto the floor

“So hot,” Hoseok sighed.

You chuckled, coming down from high. You pulled yourself up and off the dildo, sitting on the cool tile floor.

“Fuck, did you squirt?” He asked, looking closer.

You nodded, gesturing to the mess on the ground.

“Spread your legs for me, baby,” he commanded and obliged, showing him your battered cunt.

You spread your lips, and he hummed at sight.

“So beautiful.” He awed.

“You happy? I need to wipe this all up, now,” you scoffed.

He chuckled. “It’s not my fault that you cummed.” He angled his phone to the floor, showing splashes of his cum on the floor, "and besides, you also made me make a mess.”

You both chatted while cleaning up your messes, talking about your days as if nothing happened. After finishing your clean-up, you two continued your conversation while showering, as if both of you were doing it together.

Ready to relax for the night, both of you signed off with exchanged ‘thanks’ and ‘good night.’

You turned off your phone with a soft click and stepped out of the steamy bathroom. Your pyjamas were soft on your skin, and you felt ready to go to bed.

Hopping onto your bed, you grabbed your laptop and turned on some Netflix to fall asleep to.

From an outsider’s perspective, masturbating with your best friend and then casually talking with them while showering and getting ready for bed was odd. Repeating the scenario in your mind did make it sound like you two were in a long-distance romantic relationship rather than a platonic one.

But you and Hoseok were different. That was your excuse.

A friend could do this and not catch feelings. You two were the perfect example of that.

Emphasis on were because you were currently spiralling in your growing romantic feelings for Hoseok.

But what would you do in this situation?

You and your childhood friend engage in sex one time and promise each other to not grow feelings. In this manner, you two could have sex without attachment. Fast forward into the future, and you both are still making this arrangement with no negative consequences and feel like you two have gotten to know each other better and have become better friends—until you catch feelings. And you don’t want to risk losing this relationship you two have.

Because he is a worldwide musician who can’t be tied down because it could risk his career, and he might lose fans—and you couldn't be bothered with any romantic commitment with your fast-paced and unpredictable work schedule.

So, you stay in this unnameable mess.

“Time flies by when you’re having fun,” Allie commented from the plush couch.

You looked in the mirror, twisting your back towards it to see the back of the dress. “I guess so.”

“You have to admit, planning a fashion show is pretty fun,” she said. “If it wasn’t, you wouldn’t be doing it over and over again.”

“True,” you replied, turning to the stylist.

“May I see the other dress?” You asked, and the stylist nodded, retreating to somewhere in the shop you couldn’t see.

It was the last month until the show. Everything was in order: the show’s venue and its decorations, the clothes, makeup and hair for the models, and the guests’ accommodation. Now, it was your turn to find suitable attire for the occasion.

You tried on the next dress. It was a slim-fitting number, with a leg slit in the front. It was scandalous and stunning, but not right for the show.

“I don’t like any of these dresses,” you sighed, annoyed.

Allie appears to brainstorm some ideas.

“Maybe try a suit?” She proposed.

You kept your eyes on the mirror, twirling your figure and watching the fabric move at your feet.

“Think about it,” she began, “think of all the powerful women who’ve worn suits and killed it. Zendaya, Kristen Stewart, Blake Lively, Awkwafina. The list goes on. It’s a statement piece, and you’re the big brain behind this operation.”

“I think it’s ‘mastermind behind this operation,’ but I get what you mean.” You corrected.

“You literally bypassed my whole point—”

“I know, I know,” you interrupted. “It’s just—suits for women are so overpriced. And it’s just like the dresses, except a different fit. Same colour palettes, same materials, so on.”

Allie scoffed. "You're a fucking fashion designer, did you forget? Make your own thing. There are leftover fabrics at your studio; you have time to make something." Her face lit up, “And, technically, it’s for free.”

You gave it a thought, but the stylist came back before you could finish it.

"I'm sorry, Ms. Vega, but I’m not finding anything, and I don’t want you walking back and forth and bringing me more dresses.” You gave an apologetic smile. “Thank you very much for your help.”

"No worries, Y/N! Just hang up the dress when you take it off, and I’ll deal with the rest,” she replied.

“Will do,” you said, and she stepped out of the room.

Allie helped you unzip the gown, and you shimmed out of it. You did as you were told and hung up the dress, and you and Allie left the shop.

The walk back to the studio was quick, you two making determined strides through the crowded city.

You and Allie entered the empty studio, turning on the nights.

The studio was organized chaos with dressed mannequins, big boxes of fabrics in the back of the room, and papered patterns on the tables.

“Wow,” Allie awed.

"Yeah," you replied, leading you both to your master station is near the back, "it's crazy what a couple months before a show looks like.”

You looked through the drawers beside your desks and grabbed the tools you'll need to plan out the suit.

“So, just a suit jacket and pants…” You said, grabbing some paper to sketch up your pattern.

You looked up at Allie, “Do you mind helping me out with measurements?”

She nodded, “For sure. What do you need?”

You guided Allie on how to measure your proportions for the suit. She measured your inseams for your pants, the sleeves, the cuts, and so on. In between, you'd write down the dimensions for the patterns.

You two sifted through the fabrics to create a monochrome patchwork outfit. The suit would be shades of cherry red, with different materials making it up. There were no patterns in the patchwork, only various tones of red in several types of wool.

“Fucking hell,” Allie cursed while sifting through the materials, “who would’ve thought there were so many shades of red.”

She held up a piece of recycled fabrics, checking with you that it was the correct tone. You took it and held the portion against the others.

“Nope, too dark,” you shook your head.

"What? It looks exactly the same," she disagreed, walking over to your table. When comparing the fabrics, she made an 'aaah’ sound, letting you know that you were right.

Before sectioning off your pattern, you tried your best to evenly sew all the material together into a quilt-like form.

“Jesus,” you muttered, shaking out your sore hands.

“We don’t have to get this all done today, you know. You do have two months left.” Allie advised.

"I know. I just want to put this all together first," you replied, continuing to push the material through the sewing machine.

“Alright,” she surrendered, bringing one of the seats over to your table.

You sewed in silence for a bit.

“So,” Allie began, “how are you and Hoseok doing?”

You paused. “What do you mean?”

“You know…you two and your arrangement.”

You scoffed, “Our arrangement? You mean us having sex?”

“Yeah, but the other stuff.”

You pulled your hands from the sewing machine, crossing your arms over your chest. "Just spit it out, Al."

“Well, you’ve had mixed feelings with Hoseok, right? Like you’re starting to like him?” She speculated.

Your mouth gaped open. “Have you been talking to West?”

She didn’t respond, not making eye contact.

“You can’t be fucking serious. You two are ganging up on me!” You yelled.

“Y/N, we’re just worried.”

“About what? I have feelings—and?” You fumed.

She sighed. “You shouldn’t be having sex with someone if you’re growing romantic feelings, especially if you two agreed to be platonic.”

“Oh, fuck off,” you stood.

“Y/N!” She exclaimed. "Don't you dare talk to me that way? I am your friend, not your enemy." Allie stood up and sighed. “I get it. You don’t like people in your business. That’s fair. I just feel like you're sacrificing yourself for Hoseok when you could talk about it with him."

“Allie, you don’t know what you’re fucking talking about.” You spat.

“I get it,” she sympathized. “I don’t. I’m not you or Hoseok.”

“So, tell me,” she said. “Educate me on the situation. I am not here to judge. I’m just worried about you, that’s all.”

You took a few deep breaths, trying to calm yourself down.

“I’m sorry,” you apologized. “I shouldn’t have talked to you like that.”

“It’s okay,” she forgave, “just don’t push me away so fast, okay?”

“Okay.” You agreed.

She sat down, “So?”

You sat down and rehashed your feelings about you and Hoseok to her: the growing romantic feelings for him, not knowing what to do, and wanting something more.

“Well, do you think it’d work out between you two if you dated?” She asked.

You shifted in your seat. "I honestly don't know. It's tough with Hoseok's work because he has a loyal fanbase. I'm afraid he's going to get even more hate if we were to date.”

“But would you two be happy?” She asked.

You gave it a thought. “What do you mean?”

“Well, you go into a relationship regardless of other people. Whether you’re a celebrity or an ordinary person, you date someone for you and that person; no one else. There are going to be people who support and hate your relationship no matter what. What matters is what the two people think in the relationship."

She sighed. “You cannot control what others will think about you. No matter what you do or who you do, you're going to upset someone. So, just do what feels comfortable and safe with you."

You hummed, understanding.

“So, would you be happy if you and Hoseok dated?”

“Yes.” You stated without a thought. “I really like him—love him even.”

"Then that's all that matters," Allie replied.

The week before, the show crept on you faster than you expected. You, your team of designers and event organizers, models, hairstylists and makeup artists flew into Vancouver a week early to prepare on location.

However, the majority of the week would be spent preparing for the show. The first day was spent unloading all of the outfits and equipment for the show into the venue. Everyone was required to show up to organize their stations and to familiarize themselves with the venue.

“Please set up your stations while Westley and I look into the main runway and after part section. We’ll be back in around two hours to check up on everyone. If you have any questions while we're gone, please contact me on my phone." You held up your cellphone and everyone nodded. "Great. Good luck, everyone!"

The venue and interior designers' owners toured you and Westley around the place, showing you the drawn floorplans, running down the prices, and checking that the decorations correlated with your plans.

“These weren’t the chairs we sent over,” Westley pointed to the black folded chairs lining the runways.

“Yes, but these were within the price range and—” One of the interior designers, Queeny, said.

“But did we get an email regarding this change?” You interjected.

Queeny exchanged looks with the other three decorators, and they shook their heads.

Wesley let out an angry sigh. "Well, I guess we’ll have to live with these then.” He sat down on one of the chairs. “At least they’re comfortable. They look cheap, but they’re sturdy.”

“Are there any more changes you made without informing as?” You asked.

They all shook their heads.

"Great." You turned to one of the two-venue owners, named Ruby. "Shall we continue to the after-party part?”

“Yes,” she replied, gesturing to the doorway that led to the front reception area.

From the reception area, where guests would check-in and get a wristband, a double-door way on the right led to a ballroom for the after-party.

The overall theme of the place was classic European designs with off-white luxurious walls and chandeliers. The ceilings were intricately carved, and the floors were a smooth white oak. Just walking around made you feel like you were dirtying the place.

“This place is stunning,” Westley whispered.

“I know,” you replied, “you chose the place.”

“I know,” he smiled, pretending to flip his hair.

You both chuckled, continuing to follow the owners around the venue.

Everything worked out, besides the chairs, so you and Westley checked on the designers, models, hairstylists and makeup artists.

At the end of the workday, everyone was in order and ready for the next three days of dress rehearsals and solving and problems.

You arrived back at your hotel with sore feet and exhaustion.

Your phone rang as you flopped onto your bed.

You answered. “Hobi!”

“Y/N! How was your flight to Vancouver?” He asked.

“It was good. We didn't have a rest day, though. We had to settle into the place and check it over. My feet are so sore.” You groaned.

“Really? I thought you’d at least have a rest day when you guys arrived,” he assumed.

You shook your head. “No. Sadly, this whole week will be walking around and making sure everything is going smoothly.”

He sighed. “Shit. That sucks.” You heard him shift on the other side of the phone. “Do you want to relax?”

You laughed. “Jung Hoseok, did you seriously booty call me from across the world?”

Hoseok gasped, "I did not! I was talking about watching Netflix or something." He chuckled, "You're so dirty-minded."

You both laughed.

“Okay, so what do you want to watch?” He asked on the other end of the call.

You brought out your laptop and scrolled through the movie selection.

“Oooo! Let’s watch Hush. I’ve heard so many good things about it.” You recalled.

You could hear his hesitation.

Hoseok did not like being scared. Whenever you watched anything scary, you were afraid that your neighbours would complain at how loud his screaming was. As you remembered saying "hello" to him once and him screaming in fear and surprise, he was also easily frightened.

“We don’t have to,” you said.

“No, no,” Hoseok reassured, “we’ll watch it. Just send me the Netflix Party link, and I'll ready the Zoom link."

You giggled. “You don’t have to be brave for me, Hobi. I know you don’t like scary movies.”

“You want to watch it, so let’s do it,” he said, “and the ratings are good.”

“Okay,” you digressed. “I’m texting you the link right now.”

“Same,” he replied.

You two hung up and joined the links.

“Hello!” Hoseok beamed, dancing.

You rolled your eyes and chuckled at his burst of energy. “Hello, Hobi.”

You carried your laptop to the bathroom and began getting ready for bed.

“How was your day?” You asked.

Hoseok described him and his bandmates' film day for "Run! BTS," and you groaned at all the work they had to do.

He laughed. “But we got to play games, which was fun. We laughed so much that my abs hurt.” You watched him lift up his shirt and show his toned abdomen.

Your core felt a familiar flutter.

“W-wow, that must be a lot of laughing,” you cleared your throat and took out your toothbrush and toothpaste.

For the moment, the time difference worked for you two because it was almost ten at night for you and nearly three in the afternoon for him.

“Should I turn off my camera?” You asked before undressing to get into the shower.

He shook his head. “I’m okay with you leaving it on. I’ve seen you naked before, so it’s not really different. But if you’re uncomfortable, you can just turn it off.”

You shrugged and began taking off your clothes in full view of the camera and screen.

You noticed Hoseok’s expression.

“Enjoying the show?” You chuckled, finally taking off your undergarments and fully exposing yourself.

Hoseok smirked, “Don’t act like you weren’t just turned on by my abs. I saw how you looked at me.”

You nodded and surrendered. “Fair point.”

You hoped in the shower, and you two continued talking.

“Jesus, we haven’t started the movie yet,” Hoseok commented while you were washing your hair.

“Shit, right,” you laughed, massaging the shampoo into your scalp.

After you hoped out of the shower and dried your body and hair, you both started to watch the movie.

“This is a pretty cool premise. Like, we’ve never seen a deaf person in a horror movie before,” you regarded.

"True, that's a good point—AHHHHHH!" Hoseok screamed at the sudden slam in the movie.

You burst into laughter.

“Holy shit!” He exclaimed, trying to calm himself with controlled breaths.

The movie continued as you finished off your skincare and put on your pyjamas.

The oversized t-shirt was long enough to cover your thighs.

“You’re going to watch this before bed?” Hoseok gasped.

You chuckled. “Yeah. It’s not that scary.” You say as you jump at the sound of breaking glass in the film.

Hoseok laughed at the coincidental timing.

You don’t remember falling asleep, but you woke up to the sound of your alarm.

“Shit,” you grumbled and turned it off.

You heard Hoseok stir awake on the Zoom call.

Both of you had fallen asleep, but Hoseok finished the movie before you could; because you saw the end credits paused in the Netflix Party.

“Sorry,” you whispered.

“It’s okay,” Hoseok mumbled, squinting at the screen.

“I’ll let you sleep,” you smiled, hovering your cursor over the "send" button.

He softly smiled, “thank you.” He snuggled into his pillow, “I love you, Y/N.”

“I love you too, Hobi,” you replied, ending the call for both of you.

It didn’t hit you until you were halfway through your dress rehearsal, but Hoseok had stayed with you while you slept. He didn't wake you but quietly continued the movie and fell asleep.

Hoseok was usually sweet, so you didn't pay too much attention to it.

But it did make you feel special.

It was the day of the fashion show, and you were fucking nervous.

You had done this before, a show, but this one was different. You had put in so much effort and were proud of how it turned out but were afraid of what other people would think.

“It’ll be fine, don’t worry,” Allie assured through video call,” it’ll be excellent, and everyone won’t stop talking about it.”

“Probably,” you replied, putting on your makeup.

“It will be excellent, Y/N. I am so sure I will bet money.” She stated.

You chuckled, "then I'll take your word for it because I am not bidding money.”

You both laughed.

“Okay, I know I already showed you my outfit, but are you sure it looks good?” She asked, putting on the A-line floor-length dress she’d shown you before. It was a beautiful viridian green with lace shoulder straps that draped over the sides of her biceps.

“You look beautiful,” you complimented, setting your makeup with setting spray and heading to your closet.

You put on the suit you made and looked in the mirror. You looked a bad bitch.

“You look great! Oooo, put on the red bottoms,” Allie squealed.

You put on the signature Louis Vuitton black high heels with the ruby bottoms.

Your phone buzzed.

“I got to go; Westley is here with our ride to the venue. I’ll see you there!”

“See you!” She waved, ending the call.

You did a quick check in the mirror, fixing your hair, grabbed your bags, and headed out the door.

Your driver waited outside the vehicle as you approached, and opened its door, showing you a well-dressed and excited Westley.

"Oh my god, you look great!" He gasped. “When did you make the suit?”

“I finished it a week before we flew out,” you chuckled, “and you look great too! I love the pine on you.”

You took a step back and looked at Westley’s crisp pine-coloured suit with matching brown dress shoes.

“Thank you,” he grinned. “Okay, get in before we become late.”

You hopped into the car, and your driver got in and started the vehicle.

The drive was spent recalling your opening and closing speeches with Westley and the show's agenda.

“So, five pm is when the show ends, and then the guests for the after-party go into the ballroom area. Food is served at six pm, and everything is wrapped up at ten pm.” Westley relayed.

You nodded, “Yup.”

Both of you arrived a couple hours before the start time, which was at 1 pm, to set everything up and warm up the models and crew.

Westley checked the organizers and the models while you went to the runway area to check the lights and sound.

"Let's rerun the lights, please!" You announced as you walked into the runway room. "Can I get a headset, please?" You ask the crew on the ground, who nodded.

“Yup!” You heard the lighting crew respond.

You were given the headset, and you heard the head light technician’s voice.

“Can you hear me?” They checked.

“Yes,” you confirmed.

They ran by the six light settings for the show, and it was all correct.

“It’s perfect, thank you. Can you please check that the sound is alright?” You asked through the headset.

“Yup. You’ll have to hand the headset to another person, though, and we’ll give you a mic.” They added.

You heard their muffled voice as if they covered their mic's headset with their hand. Next, you had someone hand you a mic and take your headset.

“You’ll need to stand on the stage,” The person said.

“Okay,” you replied, going to the runway and standing on the end portion.

All the room’s lights turned on, and you could see the lighting crew’s area in the back and the chair organized around the runway.

“You can speak into the mic!” You heard someone shout.

You started speaking nonsense in the mic, like the type of weather outside, as they adjusted the volume.

“Thank you!” Someone shouted.

“Thanks,” you said into the mic before handing it to one of the crew.

“Is there anything to report? Any problems that arose before I got here?” You asked the crew.

They all shook their heads.

“How is everyone feeling?” You asked.

They all shared nervous laughter, and a few people said “good.”

“Alright, if there’s anything you all need, just come to the modelling area and ask me. It’s in the backroom.”

They all nodded, and you left them to their business.

You arrived in the backroom and saw designers fitting their outfits on the models and makeup artists and hairstylists prepping their stations.

“How is everybody doing?!” You enthusiastically asked.

They cheered with a mix of excitement and nervousness.

"I get it. Everyone is on their toes. You all have an hour left to set things up before people start filing in. Remember, the show starts at 1 pm. The door opens thirty minutes before them.”

They call responded with various forms of understanding, and you went around to check on them individually.

Rachel came and taped your shoulder, with a headset on, “So, the guards are in their posts, and the front is ready to check people in.”

“Is there a line already?” You asked.

Rachel pressed down the headset, asking the crew on the other end.

“Yes, there’s a line of people outside,” she reported, “about twenty people, so far.”

"Shit, yeah, let them in. It's probably cold." You ordered.

“I’ll tell them,” she replied.

“Okay, everyone! We’re starting to let people in. Again, you all have about an hour left, so try to wrap things up and relax. Thank you!” You announced.

Again, sounds of understanding, and you, Westley, and Rachel left the backroom.

“Rachel, Westley and I are going to check that the ballroom area and catering are all handled. Please check in with the front desk to see how they're doing, and then meet us in the ballroom." You told.

“Got it, Y/N,” Rachel answered, walking past the two of you and towards the front area.

Westley appeared impressed. “She's terrific. She's even got the headset and everything."

"I know, right? She's cool." You remarked.

Like clockwork, you and Westley ran over the details and schedule for the catering and the after-party. Everyone had places to sit, with elegantly decorated name cards.

Everything was ready.

"Fantastic, thank you," you thanked the caterers and the staff in the ballroom. "Feel free to come into the runway area during the show if you all would like to watch."

With that, it was about time the show would start. You and Westley hurried backstage, where you both were handed microphones.

The lights dimmed, and classical music played—fitting the theme of elegance and high class.

You and Westley regarded each other, did an excellent handshake, and strutted out on the runway. Both of you were met with applause from the crowd and blinding spotlights.

You two walked to the end of the runway and let out an exhausted sigh.

The music quieted, faintly heard in the background.

“And that’s why I’m not a model,” Westley joked, causing the crowd to giggle.

“Same here,” you chuckled.

“Anyways, welcome to the show, everyone!” You cheered, and the crowd clapped. “As you know, I am Y/N, and this is Westley. Today, we’ll be showing recycled elegant clothes on people. Not just models, but people. All the clothes you'll be seeing here today are made from recycled fabrics and hand-crafted by our design team and me."

Applause.

"We wanted to represent people, so we got people to present our clothes. Redundant, I know, but the fashion industry rarely shows models that look like people. Don’t get me wrong, they’re all fantastic. However, this show will be different. Enjoy!” Westley waved.

A final round of applause while you and Westley walked off the runway.

The show went smoothly and wonderfully. The changes were fluid, and there were no clothing mishaps. The classical music turned into upbeat music that everyone seemed to groove to. Models danced on the runway while walking, and there were joyful cheers in the crowd.

In the end, you and Westley gave your brief thank you speeches, and months of planning and work were officially completed.

When everyone was backstage, you all collectively cheered.

“Phenomenal job, everyone!” You praised. “I am speechless at how well we all did. Thank you all for being such wonderful people to work with.”

Smiles and cheers were shared as everyone got ready for the after-party.

“Okay, remember that food is being served at six o’clock, and you all will be able to find your names at a table.” You reminded.

You and Westley did a quick check-up on people before heading to the ballroom area to socialize.

“Great job, you two!” Some complimented.

You and Westley thanked the praise and had a small talk with some colleges.

“Hey, Y/N!” You heard a familiar voice say.

You turned and say Hoseok with the rest of the boys, waving.

“Hey!” You smiled, nudging Westley to join you.

"Well, enjoy the after-party," Westley grinned at the other guests before joining you.

As always, the seven boys were well-dressed in designer suits. Hoseok wore lightly tinted shades paired with a dark suit and floral dress shirt. His hair was wavy.

“That was awesome, Y/N,” Namjoon said.

“Thank you!” You replied.

“Yeah, Y/N, I loved the recycled-fabrics idea. Are anything on sale?” Taehyung asked.

You nodded. "Everything will be on sale next month. I'll send you the dates, so you mark them in your calendar. The clothes go fast," you chuckled.

“Damn,” Taehyung remarked, eyebrows raised.

“Hey, Jimin,” Westley greeted.

“Hey West,” Jimin smiled, “loved your speech today. That suit looks great on you.”

“I know,” Westley smirked, “you look good too.”

"How are you feeling?" Hoseok asked, letting Westley and Jimin casually flirt.

You sighed. “Glad that it’s over, to be honest. It was fun, of course, but it's a lot of work to organize."

“Oh my god, is that Charlie Puth?” Jungkook gasped, hiding slightly behind Namjoon.

Everyone laughed.

"You should go and say 'hi,' Kook. You've already met and sung with him before. You two are practically friends." Yoongi expressed.

“True,” you agreed, “and Charlie’s a nice guy.”

“Okay,” Jungkook straightened his posture, “I’ll do it.”

You all watched Jungkook walk over and begin chatting with Charlie Puth.

“God, he’s grown up so much,” Seokjin sighed.

The rest of you caught up and chatted about the show.

Before you knew it, Westley was poking your side to let you know it was five minutes until six.

“Shit,” you cursed. “Sorry to cut this convo short, but Westley and I have to announce dinner. We’ll talk soon!”

You all said your goodbyes, and you and Westley went up to the front to state it was time for food.

You two were seated with Rachel, Allie, and a couple others. Everyone ordered off a menu, which served various kinds of pasta, salads, and a mix of alcoholic and non-alcoholic beverages.

It was an excellent way to end off the show.

There was a dancefloor, too, where people could groove to music after eating.

Of course, the seven boys went to the dancefloor, which caused others to join.

You were finishing off your fettuccine alfredo when Hoseok danced over to your table. You chuckled as he held his hand out and quirked a brow.

“You’re ridiculous,” you said, taking his hand.

“You love it,” he smirked, pulling you off your chair and leading you to the dancefloor.

You danced together, along with your friends. He held your hands as you two swayed to the slow songs and body-rolled with you during the upbeat songs. Of course, a few BTS songs played, and everyone tried to follow the known choreography. You went back to your table for a drink of water, and Allie came with you. "Look, and you and Hoseok dancing up a storm," she teased. “Shut up,” you chuckled. “The chemistry is there, Y/N,” she commented. You drank your water. "Not now, Al." “Come on! He’s here for, what, the night and then gone tomorrow morning? When will you see him again?” She asked. You paused, honestly unsure when you'd see Hoseok again. “Now or never, Y/N. How much longer can you debate this?” “I know,” you replied. “I’ll do it later tonight.” Around nine-thirty, the party was dying down, with only a few guests scattered around the venue helping to clean up. You made eye contact with Allie, who was tending to the chairs, who nudged towards Hoseok’s direction. Now or never. You said in your head. “Can I speak to you, Hoseok?” You asked, walking up to him. “For sure!” He replied. You led both of you to a secluded part of the venue, away from listeners. “Did you enjoy the show?” You asked. “Yeah! You did a fantastic job, Y/N. I love how everything turned out, the colours, the recycled fabrics were great—and your suit! I can’t believe you made it,” Hoseok complimented, stepping back to look at your attire. “Thank you,” you blushed. You gave a quick look around to make sure no one was around. “Is everything alright, Y/N? You’re looking around as if they’re spies around.” He gasped. “Are there spies around? What secret don’t they know?” “I don’t want to have sex with you anymore.” You abruptly stated. A stretch of silence. Hoseok’s expression was a mixture of surprise and concern. “What?” “I can’t have sex with you anymore.” “You can’t or don’t want to? Is it something I did?” “Yes? No? In a way?” You pondered. You took a few deep breaths. "I like you, Hoseok—possibly even love you.” You ran your hand through your hair. “I know we agreed not to catch feelings, so I think we should stop having sex.” You watched his expression shift from some form of being happy to disappointment. “You know I cannot date with work,” he explained, "with the fans, touring, and whatnot, I cannot date someone. And you have your company to work on." “I know,” you replied. “But do you like me back?” You asked. “I do—” “You do?” You were on the verge of hugging him, but he stepped back. You looked at him, confused. “We can’t—” “Why?” “I literally just told you, Y/N. With work, dating wouldn’t allow it. I already have people—” He choked on his words. “People who wish I was dead, j-just for being me.” “Hoseok—” You reached out to him, but he gently pushed you away. “No,” he objected, “I’m fine. I just don’t want to add you to the mess.” “You can’t decide that for me.” You retorted. “I understand that you don’t want to add me to it, but I’m okay with it. I don't care what other people would say about us. They're not in the relationship, we are—" “But what if I care?” He said, almost too quiet for you to hear. “I’m the happy guy of BTS, who’s dedicated to his work.” “But are you truly happy?” You peered into him. “Yeah,” he replied, avoiding eye contact, “but it gets really hard sometimes.” “So, let me help, Hoseok,” you pleaded. "I don't need to be helped! I'm not another project for you to work on.” He thundered. “You know that’s not what I meant.” You seethed. “Let’s just drop it, okay? We’re not dating, that’s it.” He dictated. “Fine.” You replied. “Have a safe trip back home.” You left without another word, trying your best not to cry. Out of all the ways you thought he'd respond, this took you off guard. Hoseok wasn't one to push you away, but here he was doing so. “Fuck this,” you whimpered, walking up to Allie. “I’m going back to the hotel, sorry,” you said, turning away as soon as possible. “Y/N!”

You washed your face and hoped into the shower—the warm water soothing your sore muscles and emotions. You couldn’t tell if it was the water or your tears streaming down your face.

What else did you expect? Hoseok had a point: with his work, he couldn’t date someone. And it was ridiculous that Hoseok would want to date you.

However, instead of sulking over Hoseok, you decided to have a bath and put on a facemask.

The room’s phone rang while you were starting the bath.

“Hello?”

“Hello, is this Y/N Y/L/N?

“Speaking,” you confirmed.

“Great! There’s a man here, named,” a muffled noise, “Hoseok Jung.”

“Tell him I’m busy, please,” you replied.

Another muffled noise. “Hoseok says he's sorry and that he has ice cream—cookie dough. But if he’s dangerous, I can call the police.”

“No, no. God no,” you said.

You bit your lip. "You can send Hoseok up."

“Okay. However, if there’s anything wrong, please try to press the red button on the receiver. I will check back with you in an hour. If there’s no response, I’ll get someone to check on you.” They informed.

“Thank you,” you replied, slightly shocked by their concern.

You hung up.

A few minutes later, you heard a knock on the door. You tightened your robe.

You checked the peephole before cracking the door open.

“Hi,” you greeted.

“Hey," he smiled. "I'm sorry for leaving you like that at the party. It was sudden and insensitive. I should have been more considerate of your feelings rather than shutting you off.”

“I was just—scared. I don’t know what it’s going to be like for us. And I don't want you to fix me—but I like you, a lot—so I brought cookie dough ice cream and two spoons—"

“Do you want to come in?” You interrupted his nervous rambling.

“Yes, thank you,” he chuckled.

Hoseok still wore the suit from the fashion show, but his jacket was folded over his arm, and his dress shirt was unbuttoned lower.

“Oh, you’re running the bath,” he noticed. "We can deal with this later if it's a bad time."

“No, it’s alright. I’ll just turn off the water.” You replied, going to the bathroom to do so.

When you came back, Hoseok was sitting on the edge of your bed.

“So, what did you want to talk about?” You asked, sitting beside him.

He opened the ice cream tub, setting the lid on the desk and handing you one of the spoons.

“I was thinking you could talk more, actually; about how you feel," he replied, giving you the tub and angling himself to face you. "I just want to listen to you this time."

You gave a brief smile before spooning a small piece of ice cream into your mouth.

“Well, I just feel like we’re in this grey area of being really close but having sex. And we both like each other, and we said at the venue, and I just feel like we should just date then.” You set the ice cream and spoon down on the desk. “I get that work complicates things for you. But once we’ve confessed our feelings, I just don’t know what to call this—this friendship?”

Hoseok nodded.

"So, if you don't want to date, that's completely fine. I understand. However, we can't keep having sex like we used to; because I have feelings for you now, and you said you do too, so it's not a good mix."

“That’s fair,” he acknowledged.

“But what do you think? Like, how do you feel about us?” You asked.

He paused and set his spoon on the desk with yours. “I want to date you, Y/N. I just don’t want to get you hurt.” He softly grasped your hands. “The industry can be toxic, and I don’t want to subject you to that.”

“I understand,” you replied, “but I want to date you too, regardless of all the other bullshit. As cheesy as it sounds, all I want is you, Hoseok.”

Hoseok smiled but then pretended to gag.

“Hobi! I was romantic."

“Sorry, but that was so cheesy.” He cringed.

“So, do you want to just start dating, then?” You proposed. “We have the ice cream here; we can pretend to get to know each other more.”

He chuckled. “Sure. Let’s do that.”

Hoseok stood up and held his hand out to you. “Y/N Y/L, will you go on a date with me?”

You laughed but composed yourself. “I would love to, Jung Hoseok.” You took his hand, and he immediately sat back down.

“So, Y/N,” Hoseok began, handing you the partially melted ice cream and your spoon, “what do you like to do on the weekends?”

1 year later.

“I’m thinking of moving to Korea,” you said. Hoseok turned to you, surprised. “Really? But you’re not based here.” “I know,” you acknowledged, “but I can fly in and skype, or whatever. I can have a home base here, too.” You were visiting Hoseok for a couple weeks before you had to go back home for a clothing launch. Both of you were cuddling at his place when you brought up your idea of moving to Korea. “Of course, it wouldn’t be immediate. I would need to sort things out with Westley and Rachel and organize a place to stay here and a work area. The company is sturdy enough to handle the change.” You reasoned. “You could move in with me,” he suggested, turning his body to face you. “Are you sure?” “Yeah, why not. We’ve been dating for a while now, and it makes sense.” He shrugged. “Unless you don’t want to.” You kissed him. “No, I want to.” Both of you discussed what your move would be like and imagined living together. If you were to look back at how your relationship with Hoseok progressed, you would be shocked. In a matter of a few months, you and Hoseok went from friends to romantic partners. Although you had not come out publicly about your relationship, many people had a sense it existed; but that didn’t matter. You and Hoseok were in a secure and healthy relationship. It was long distanced, but you two made it work by visiting each other when you could and calling almost every day. The only thing that didn’t change was the sex—although it had gotten better. Nevertheless, so much has happened over the past year. And you wouldn’t have it any other way.

#jhope bts #jhopoe fanfic #jhope smut #jhope fluff #jhope angst #hoseok smut #hoseok angst #hoseok fluff #bts smut #bts angst #bts fluff #bts fanfic #ficswithluv #houseofddaeng #hobiuary2021 #hodevent

632 notes · View notes

the-celluloid-correspondent · 3 years ago

Text

The Lord of the Rings: The Return of the King

Gandalf and Aragon lead the World of Men against the armies of Sauron as Frodo and Sam approach Mount Doom with the One Ring.

Endings are one of the most difficult aspects of storytelling. It can either make or break the story that you are telling. If an ending is bad, then it will forever haunt your story for the rest of time, Game of Thrones I am talking about you. Endings haunt so many stories to the point where storytellers would keep their story going on forever till it's dead rather than end it. However, I don't think I have ever seen a franchise stick the landing as well as the Lord of the Rings. The cast and crew brought forth an emotional and epic climax that will live on in cinematic history as one of the greatest films of all time.

The Return of the King deserved every single Oscar it won plus more. Peter Jackson and his creative team masterfully brought Tolkien's The Lord of the Rings, epic conclusion to life. The storytelling is at a masterclass level both visually and verbally. The pacing is outstanding, it does not feel like you are watching an over three-hour epic. The action sequences again are some of the best I've seen in a film. The tension that Peter Jackson is able to build within this film surpasses some of the best horror flicks ever made. Furthermore, it is not just tension of stakes, it is emotional tension. This film makes me cry hysterically every time I watch it. Even people, who have don't know anything about Middle Earth, still cry and get emotional while watching this film. The writing again is elevated and eloquent. The creative team truly won all the awards they were given.

It still surprises me to this date that none of the cast really got any acting awards or nominations for their performances, because every single actor truly gives it their all in this film. Yes, it won Best Cast ensemble at SAG, but no individual nominations because there were several Oscar-worthy performances in this film that deserved nominations. Elijah Wood, Sean Astin, Billy Boyd, and Dominic Monaghan all give masterclass performances as the four Hobbits. Viggo Mortensen and Ian McKellen also give fantastic performances as their respective characters. Miranda Otto, Bernard Hill, and David Wenham all return and all of them give fantastic performances. Andy Serkis again gives one of the best performances I've ever seen and I'm still salty about him not receiving any nominations for acting.

Everything within this film is absolutely beautiful. The cinematography is stunning and I am salty that it was not nominated at the Oscars for best cinematography. The visual effects have aged marvelously. The costume and makeup design are some of the best that I've ever seen in a film. Lastly, the production design is absolutely outstanding. The sets that they built are beautiful and they truly immerse you into the world of Middle Earth. Everyone truly earned their Oscar. What makes this series stand out from the rest is that it has a cultural heart, which so many fantasy series today lack. Each region is unique in aesthetic, which is why so many fail today.

I do have one complaint with this movie and it is just one scene. It is the scene where Frodo tells Sam to go home. I have heard the writers explain why they chose to go in this direction and make this change, but I still don't understand why. Elijah, Sean, and Andy all thought that this was not a smart move and they were correct. I understand that the writers wanted to show that Frodo's will is starting to fail and that he is becoming more easily manipulated, but they could have done this in a million other directions instead of this one. They could have had Frodo have a complete psychological breakdown or have more scenes of putting the audience in Frodo's shoes, to show his conflict with the One Ring, but no they chose this instead. This is the only creative decision in the whole trilogy that I did not like or was not able to understand why they did it.

All in all, The Lord of the Rings: The Return of the King is a cinematic masterpiece. The film will live on as doing the impossible and bring what was deemed to be unadaptable into one of the greatest cinematic pieces of all time. The cast and crew of The Lord of the Rings Trilogy truly deserved every award that they won.

I am giving, The Lord of the Rings: The Return of the King, an A+.

41 notes · View notes

sk1fanfiction · 4 years ago

Text

the many faces of tom riddle, part 5

- more myth than man... or not? the mortality of tom riddle and the anatomy of a villain-

That leaves us with Ralph Fiennes’ portrayal of adult Tom Riddle/Lord Voldemort in movies 4-8.

I generally find adult Tom Riddle disappointing, even in the books, in terms of character depth. Instead of delving into his motivations and the inner psychology of a villain, we get... slight body horror? And in the movies, it’s even more egregious.

If a story is as good as its villain, adult Tom Riddle is a bit of a let-down, especially on-screen.

“I was ripped from my body, I was less than spirit, less than the meanest ghost . . . but still, I was alive.”

Perhaps the very first time I watched it, I found this scary, but I must confess that nowadays, Voldemort’s resurrection is more funny to me than anything else. The forked tongue and the nose slits, yes, are supposed to allude to Tom Riddle’s loss of humanity, but I don’t think it...worked out that way in practice.

I know that’s how it is in the books, but ugly equals evil (and vice versa) is a tired trope. not only that, but under the CGI, Lord Voldemort is so difficult to relate to, so inhuman, that it’s hard to (1) see his true depravity (2) connect with him emotionally (3) at least for me, not laugh at him flapping around the graveyard in GOF like an oversized crow.

Now, the reason I’m going on about this is not (just) me being petty. Lord Voldemort is the Boggart for most of the characters in the HP universe, meaning their greatest fear is Lord Voldemort. He represents Fear; as such, he should be utterly terrifying. Now, I don’t mean horrifying in that sense, but Voldemort’s grand entrance should at least feel somewhat unsettling, have some sort of a Gothic atmosphere...

"But then, through the mist in front of him, he saw, with an icy surge of terror, the dark outline of a man, tall and skeletally thin, rising slowly from inside the cauldron."

Visually, this looks great. But it’s not scary. And I’m not a purist by any means, but the words are scarier than the book. Darkness induces fear.

“The lack of any kind of visual stimuli increases anxiety, uncertainty, and tension.”

So, having Voldemort’s pale body materialize isn’t as scary as it could be.

Furthermore, I think Fiennes’ overexaggerated expressions would actually come across as properly horrifying/threatening rather than funny if they just left his face alone. Yes, Fiennes does manage to emote the fear and the anger through the CGI, but it’s like he’s too alien to be scary, at least to me. The amount of memes with Voldemort suggest I’m not the only one this way inclined.

I think there’s probably a problem going on with the uncanny valley. (Images from the Mori essay linked).

[When things are still]

[Creepy things are creepier when moving]

Now, I assume Voldemort is meant to be zombie-creepy, or at least that how Harry describes him in the books.

"The thin man stepped out of the cauldron, staring at Harry...and Harry stared back into the face that had haunted his nightmares for three years. Whiter than a skull, with wide, livid scarlet eyes and a nose that was flat as a snake's but with slits for nostrils...."

Now, we can’t get Harry’s experience of being haunted by Voldemort in his dreams, because what I think makes Voldemort’s countenance so truly frightening to the other characters isn’t his snake-like nose or his red eyes, but the potential. Voldemort is, in essence, the Grim Reaper. You are at his mercy, and you’re probably going to be dead.

“This time, I shall enter the fray myself, Harry Potter, and I shall find you, and I shall punish every last man, woman, and child who has tried to conceal you from me. One hour.“

And yes, Voldemort can be quite funny and witty, but..

“I will allow you to perform an essential task for me, one that many of my followers will give their right hands to perform.” (To Peter Pettigrew)

...it’s still incredibly dark, sadistic humour. Whereas the teenage Tom Riddle we’ve been discussing has just barely dipped his toes into evil, Voldemort is, well... swimming in it. At this point, he think he undeniably enjoys causing pain.

And much of what makes Voldemort scary is subtle.

For example, what I personally consider haunting is the fact that he’s got a cave full of Inferi. A cave full of reanimated dead bodies.

Either he dug them up, which is unlikely... or perhaps, a twenty-seven-or-so-year-old Tom Riddle would lie in wait like a bird of prey, very quietly and patiently, perhaps reading a book, waiting for an unsuspecting Muggle to wander past. Maybe killing is a game to him at this point, when it’s not so personal as killing Harry Potter. Maybe it’s a whispered Avada Kedavra, and then he carries the dead body away to his cave. Maybe he Imperiuses them to walk off the cliff. Maybe he tortures them first.

Shudder.

And I don’t think you can show that kind of horror through any CGI or make-up, so...

You know what is terrifying? Revolting? True crime; real-life people who do unspeakably horrible things. And I think a lot was missed out on, in stripping Tom Riddle physically of his humanity. Yes, Riddle is a monster...

But, as we’ve seen, he’s a human monster, not some eldritch horror from the seventh level of hell or something.

I just think it would be interesting to have this perfectly normal-looking human do all the horrific things Voldemort does. I want to see that sick joy in a human face and feel disgusted. I want to see fear make his bottom lip tremble, and feel a misplaced sense of empathy. (Think President Snow from the Hunger Games -- now, that’s a sick, twisted villain who we can relate to as a human being, but still love to hate -- or what about The Joker?).

And out of everything they chose to CGI, why on earth did they not make his eyes scarlet? That might have made him look at least somewhat menacing, rather than a failed lab experiment.

(Don’t even get me started on his and Bellatrix’s death scenes in the movies-)

Here’s President Snow. He’s got a cute little granddaughter, he sends kiddies to kill each other Battle Royale-style every year, and he poisons all his political opponents. He’s also a master manipulator and has a penchant for white roses. They cover up the smell of the sores in his mouth from eating the poison too, to conceal his treachery.

Heath Ledger as the Joker in Dark Knight (2008), who is, according to NYT (which I totally agree with), the best Joker. Now this is a villain done right, with many Voldemort-like traits. On a scale of one-to-ten, he’s absolutely terrifying. Why? He’s (unlike Voldemort in the movies) incredibly intelligent, shows young-Tom-Riddle-like skills for charm and manipulation, plays with humans like they’re his own personal psychology experiment (and to hell with the Institutional Review Board), and has one, single, very clear goal -- chaos. Like Voldemort, he wears an inhuman mask that’s not horrifying in its own right; but unlike Voldemort, the human is all there -- terrifying, real, and with a bottomless, obsessive desire to destroy. His disordered thinking is all out there for the audience to see. The Joker’s motivation is to enjoy himself; whereas Voldemort seems to lack drive. Why does he want to take over the world -- who knows, with Voldemort? The Joker wants to see it burn.

Let’s try to do the same with Lord Voldemort:

[SLIGHT FLASH WARNING]

I had to go with this because Voldemort isn’t legitimately terrifying in many scenes. And yes, this unrefined anger somewhat speaks to Tom’s immaturity

By this point, seventy-one year old Tom Riddle is a hollowed-out shell of a human being. After decades of building his power, he was defeated by a one-year-old, and ended up slumming it as a spirit for a decade, got defeated again, was a shrivelled-up baby for a year, then finally got his body back.

He’s angry, okay! And Fiennes does a great job of portraying the sheer, destructive, unbridled rage of this character.

The body language. again, since his face is inhuman, this is super important. and Fiennes’ body language is great. Voldemort/Riddle commits to his actions. He is very emotionally-driven.

But yet, he doesn’t feel capable, in the way that the Joker or President Snow do. Yeah, we know anecdotally that he’s incredibly evil, sadistic, and second only to Dumbledore in terms of power, but he loses to a baby, and then that same baby as a teenager. So, we really could have done with seeing Voldemort’s power, cruelty, and evil firsthand a lot more often.

Voldemort is not well-characterized. I don’t understand his motives, and the ones that I do understand are not compelling.

Not to die? Well, he’s already made several Horcruxes. Why not sit back and relax? Why start a war and risk himself?

JKR said that Voldemort’s great desire was to become all-powerful and eternal. But that’s... boring! It does little to tell us about Voldemort, other than that he’s a villain and a wannabe dictator.

Furthermore, the charm, manipulation, and cunning that are hallmarks of younger Tom Riddle’s personality are gone.

Is Voldemort (to return to Jungian terms) all shadow? An empty creature of simple creation and destruction, perhaps? We’ll discuss this further down...

And this isn’t a problem of having a fantastical world with magic and the like. Grindelwald’s quiet, self-possessed, almost coy “So you think you can hold me?” was infinitely scarier than anything that has ever come out of Voldemort’s mouth. It was chilling.

OOTP is my favorite book, and the Ministry sequence is one of my favourite in the films.

This scene where he psyches out Harry, talking so quietly that he could just be a little voice inside his head (and again, during the possession scene)? Absolute perfection.

Why? Because this showcases what’s truly scary about him. Voldemort can get into your head. He can make you do things. And perhaps, if we had seen that more often, we’d understand how scary he is.

I wish this had been his grand entrance, and not whatever that scene in GOF was. Somehow, him screeching “I WANT TO SEE THE LIGHT LEAVE YOUR EYES!” is not menacing. At all.

But, I can’t help but think how much greater the emotional affect would be if he had more human features (think the burned-and-blurred, waxy features from Dumbledore’s memory).

Just imagine these scenes if Voldemort looked human, and spoke as quietly as he did in this one.

Because of the reason that I have little to go on in terms of characterization that I haven’t already covered, we’ll discuss the myth and legend of Lord Voldemort.

I can’t decide if the statue in the films is supposed to be the Angel of Death or the Grim Reaper. He has a skeleton and carries a scythe, but he also has wings. There are so many different interpretations, attitudes towards, and personifications of Death across the world that I don’t want to draw any one conclusion. But I must wonder if Lord Voldemort, with his yew-and-phoenix wand (which carries heavy symbolism of immortality and rebirth) and almost deified figure is meant to be a personification of Death himself? His name, Lord Voldemort, is a shade close to Lord Death.

For years, it has stumped me that wizards and witches are afraid to utter Voldemort’s name, especially since we only see the Taboo in the middle of the last book. It didn’t make sense just based on fear; in the real world, we don’t circumvent Hitler’s name, for example.

Perhaps this may have been obvious to others, but it wasn’t to me.

Here’s a counterargument to myself; why Voldemort shouldn’t look human.

Voldemort, in the Wizarding World, is seen as a literal deity.

I promised to attempt to answer this question in Part 3:

And so, I can’t help but wonder if the opposite is true… if Tom Riddle creates Horcruxes, would that grant him additional magic powers?

In Part 3, I likened Tom Riddle to a sorcerer in Russian folklore, Koschei the Deathless, also famous for sequestering his soul in objects. This source suggests that Koschei was considered not an ordinary magician, but a representative of the ‘other’ world, the world of death.

So, what if... creating Horcruxes makes you... more than human? Now, I could definitely see god-like status being appealing to sixteen-year-old Tom Riddle. Perhaps, even appealing enough to kill for. Now, his proclivity for Avada Kedavra makes sense. We know it’s an incredibly sinister spell, but at the same time, it’s a very humane way to kill. Why might it be so horrifying?

Here’s a weird theory.

To the best of my knowledge, no one but Voldemort is seen using the Killing Curse more than once or twice.

Perhaps, ordinary mortals can only cast Avada Kedavra a few times, but Tom, having split his soul and having become in some way a non-human instrument of Death, can cast it however many times as he likes, and that is part of what serves to make him so terrifying.

This makes the idea of Voldemort tossing around Avada Kedavras actually incredibly terrifying, if you take into account what that might mean.

The collective cultural fear of speaking Voldemort’s name supports this theory.

Take the chthonic (underworld) deities of Greek mythology; most notably, Hades and Persephone, the king and queen of the underworld.

Hades, the god of the dead, was feared.

So feared that the word ‘Hades’ (”the unseen one”) was so frightening, that people came up with all sorts of euphemisms to circumvent actually saying it and he was rarely even depicted in art. For example, they would refer to him as Pluto (”the rich one”), Clymenus ("notorious"), Polydegmon ("who receives many"), and perhaps Eubuleus ("good counsel" or "well-intentioned"), amongst many other names.

However, he was not seen as evil; just stern, cruel, and fair. Like most Greek gods, he had an associated cult (the Death Eaters, anyone?)

Another interesting connection between Hades and Voldemort is that Hades was associated with snakes.

Persephone (suggested to have a pre-Greek origin and probably pre-dates Hades), who was also a vegetation/fertility/spring goddess, similarly, was referred to as Despoina (”the mistress”), Kore (”the maiden”), etc, because as the terrible Queen of the Dead, it was considered unsafe to speak her name aloud. In mythology and literature, she is sometimes referred to as ‘dread Persephone.’

--Just like how Lord Voldemort is referred to as The Dark Lord, He-Who-Must-Not-Be-Named, You-Know-Who... (and if you’re Dumbledore, ‘Tom’.)

Her central myth served as the context for the secret rites of regeneration at Eleusis (which was basically a mystery cult devoted to her and her mother, Demeter), which promised immortality to initiates.

We don’t know for certain what exactly went on, because, mystery cult -- the members were sworn to secrecy -- but it revolved around immortality and rebirth and possibly psychoactive drugs.

Perhaps ironically, in comparison to the Death Eaters, anyone could join, as long as they could speak Greek and had never committed murder.

And that concludes my assessment!

#tom riddle #the many faces of #tom marvolo riddle #character analysis #lord voldemort #character study #tw: murder #the body horror was 1/10 #don't make your character design hilarious if you want him to be scary #i'm not saying voldemort is a vegetation deity #but i'm not-not saying it either

53 notes · View notes

darylandbethfanforever9 · 2 years ago

Photo

Aemond is just so hot

Wait, my Lord Strong. Did you really think that you could just fly about the realm trying to steal my brother’s throne?

#this scene was so well done - the building tension like a horror movie - the fantastic eye reveal - and book lines! gotta love it #though the mother line is new. because. um #mommy's little war criminal #house of the dragon #asoiaf #asoiaf graphics #lucerys velaryon #aemond targaryen #and his sapphire eye #hotd s1e10

7K notes · View notes

jooyeone · 3 years ago

Note

any comfort horror movie recommendation? since you ~get it~ i'm needing some horror comfort

oh my god okay first ily for asking me and two, i have been a bit out of the loop with the horror movie scene lately so forgive me if these might be a bit outdated :( but here we go, these are my personal comfort horror movie faves 🤍

the conjuring (2013) - I KNOW I KNOW but i just can't not include this one! it has the love of my life vera farmiga in it and ed & lorraine are probably the only couple in horror i actually care about <3 plus if most haunted house horror movies are the same, why not go for the best one in the genre?

the ritual (2017) - kind of a hidden gem in my opinion! it follows a group of friends on a trip in the forest and it really takes its time building the unsettling atmosphere, the more time you spend with them in that forest the more it all gets under your skin. this one definitely is more for the vibes, less so for typical jumpscares!

don't breathe (2016) - such a tense movie that doesn't deal with any paranormal elements, just plain old brilliant writing and directing! kinda what 'a quiet place' did a few years later, but the setting brings the tension up to 100 because it's all set in the bad guy's house

ouija: origin of evil (2016) - DIRECTED BY MIKE FLANAGAN 👏 (guy who did the haunting of hill house/bly manor, so that should tell you enough!) i watched this before mike's works blew up and i was very pleasantly surprised to see your typical ouija horror story done so well. some really unsettling moments AND fantastic acting by the main kid, who sells every scene 👏

as above so below (2014) - i don't know if this one had as big of an impact on others as it had on me, but i am very claustrophobic so this was essentially my own personal nightmare. it follows a bunch of people exploring the catacombs underneath paris so you spend the entire movie going deeper and deeper into the ground until you kinda feel like you're suffocating just by watching. won't spoil but there's some creepy encounters here and there that really did it for me 👍

possessor (2020) - this isn't your typical horror movie, so i'm not sure it's what you're looking for but i'm throwing it in here anyway because i think it's a really underrated gem! it's a sci-fi/thriller blend, but it contains some REALLY creepy imagery that i'll never get out of my head. (do watch the uncut version for this one!)

#links to letterboxd so you can read the synopsis and other reviews <3 #part of me wants to add insidious on the list but you've probably seen it and i'm not sure if it stands the test of time #it is somewhat of a comfort horror movie to me though bc i remember most of the jumpscares worked and i really liked the ending :')#i hope there's at least one new movie on this list for you love!!#i'm really sad that i can't help with more recent stuff but if you or anyone else have any recs please send them my way <3 #answered #anon

6 notes · View notes

grigori77 · 4 years ago

Text

Movies of 2021 - My Pre-Summer Favourites (Part 2)

The Top Ten:

10. ZACK SNYDER’S JUSTICE LEAGUE – one of the undisputable highlights of the Winter-Spring period has to be the long-awaited, much vaunted redressing of a balance that’s been a particular thorn in the side of DC cinematic fans for over three years now – the completion and restoration of the true, unadulterated original director’s cut of the painfully abortive DCEU team-up movie that was absolutely butchered when Joss Whedon took over from original director Zack Snyder and then heavily rewrote and largely reshot the whole thing. It was a somewhat painful experience to view in cinemas back in 2017 – sure, there were bits that worked, but most of it didn’t and it wasn’t like the underrated Batman Vs Superman: Dawn of Justice, which improves immensely on subsequent viewings (especially in the three hour-long director’s cut). No, Whedon’s film was a MESS. Needless to say fans were up in arms, and once word got out that the finished film was not at all what Snyder originally intended, a vocal, forceful online campaign began to restore what quickly became known as the Snyder Cut. Thank the gods that Warner Bros listened to them, ultimately taking advantage of the intriguing alternative possibilities provided by their streaming service HBO Max to allow Snyder to present his fully reinstated creation in its entirety. The only remaining question, of course, is simply … is it actually any good? Well it’s certainly much more like BVS:DOG than Whedon’s film ever was, and there’s no denying that, much like the rest of Snyder’s oeuvre, this is a proper marmite movie – there are gonna people who hate it no matter what, but the faithful, the fans, or simply those who are willing to open their minds are going to find much to enjoy here. The damage has been thoroughly patched, most of the elements that didn’t work in the theatrical release having been swapped out or reworked so that now they pay off BEAUTIFULLY. This time the quest of Bruce Wayne/Batman (Ben Affleck) and Diana Prince/Wonder Woman (Gal Gadot) to bring the first iteration of the Justice League together – half-Atlantean superhuman Arthur Curry/the Aquaman (Jason Momoa), lightning-powered speedster Barry Allan/the Flash (Fantastic Beasts’ Ezra Miller) and cybernetically-rebuilt genius Victor Stone/Cyborg (relative newcomer Ray Fisher) – not only feels organic, but NECESSARY, as does their desperate scheme to use one of the three alien Mother Boxes (no longer just shiny McGuffins but now genuinely well-realised technological forces that threaten cataclysm as much as they provide opportunity for miracles) to bring Clark Kent/Superman (Henry Cavill) back from the dead, especially given the far more compelling threat of this version’s collection of villains. Ciaran Hinds’ mocapped monstrosity Steppenwolf is a far more palpable and interesting big bad this time round, given a more intricate backstory that also ties in a far greater ultimate mega-villain that would have become the DCEU’s Thanos had Snyder had his way to begin with – Darkseid (Ray Porter), tyrannical ruler of Apokolips and one of the most powerful and hated beings in the Universe, who could have ushered the DCEU’s now aborted New Gods storyline to the big screen. The newer members of the League receive far more screen-time and vastly improved backstory too, Miller’s Flash getting a far more pro-active role in the storyline AND the action which also thankfully cuts away a lot of the clumsiness the character had in the Whedon version without sacrificing any of the nerdy sass that nonetheless made him such a joy, while the connective tissue that ties Momoa’s Aquaman into his own subsequent standalone movie feels much stronger here, and his connection with his fellow League members feels less perfunctory too, but it’s Fisher’s Cyborg who TRULY reaps the benefits here, regaining a whole new key subplot and storyline that ties into a genuinely powerful tragic origin story, as well as a far more complicated and ultimately rewarding relationship with his scientist father, Silas Stone (the great Joe Morton). It’s also really nice to see Superman handled with the kind of skill we’d expect from the same director who did such a great job (fight me if you disagree) of bringing the character to life in two previous big screen instalments, as well as erasing the memory of that godawful digital moustache removal … similarly, it’s nice to see the new and returning supporting cast get more to do this time, from Morton and the ever-excellent J.K. Simmonds as fan favourite Gotham PD Commissioner Jim Gordon to Connie Nielsen as Diana’s mother, Queen Hippolyta of Themyscira and another unapologetic scene-stealing turn from Jeremy Irons as Batman’s faithful butler Alfred Pennyworth. Sure, it’s not a perfect movie – the unusual visual ratio takes some getting used to, while there’s A LOT of story to unpack here, and at a gargantuan FOUR HOURS there are times when the pacing somewhat lags, not to mention an overabundance of drawn-out endings (including a flash-forward to a potential apocalyptic future that, while evocative, smacks somewhat of overeager fan-service) that would put Lord of the Rings’ The Return of the King to shame, but original writer Chris Terrio’s reconstituted script is rich enough that there’s plenty to reward the more committed viewer, and the storytelling and character development is a powerful thing, while the action sequences are robust and thrilling (even if Snyder does keep falling back on his over-reliance on slow motion that seems to alienate some viewers), and the new score from Tom Holkenborg (who co-composed on BVS:DOJ) feels a far more natural successor than Danny Elfman’s theatrical compositions. The end result is no more likely to win fresh converts than Man of Steel or Batman Vs Superman, but it certainly stands up far better to a critical eye this time round, and feels like a far more natural progression for the saga too. Ultimately it’s more of an interesting tangential adventure given that Warner Bros seem to be stubbornly sticking to their original plans for the ongoing DCEU, but I can’t help hoping that they might have a change of heart in the future given just how much better the final product is than any of us had any right to expect …

9. SYNCHRONIC – writer-director duo Justin Benson and Aaron Moorhead are something of a creative phenomenon in the science-fiction and fantasy indie cinema scene, crafting films that ensnare the senses and engage the brain like few others. Subtly insidious conspiracy horror debut Resolution is a sneaky little chiller, while deeply original body horror Spring (the film that first got me into them) is weird, unsettling and surprisingly touching, but it was breakthrough sleeper hit The Endless, a nightmarish time-looping cosmic horror that thoroughly screws with your head, that really put them on the map. Needless to say it’s led them to greater opportunities heading into the future, and this is their first film to really reap the benefits, particularly by snaring a couple of genuine stars for its lead roles. Steve (Anthony Mackie) and Dennis (Jamie Dornan) are paramedics working the night shift in New Orleans, which puts them on the frontlines when a new drug hits the streets, a dangerous concoction known as Synchronic that causes its users to experience weird localised fractures in time that frequently lead to some pretty outlandish deaths in adults, while teenage users often disappear entirely. As the situation worsens, the pair’s professional and personal relationships become increasingly strained, compounded by the fact that Steve is concealing his recent diagnosis of terminal cancer, before things come to a head when Dennis’ teenage daughter Brianna (Into the Badlands’ Ally Ioannides) vanishes under suspicious circumstances, and it becomes clear to Steve that she’s become unstuck in time … this is as mind-bendingly off-the-wall and spectacularly inventive as we’ve come to expect from Benson and Moorhead, another fantastically original slice of weirdness that benefits enormously from their exquisitely obsessive attention to detail and characteristically unsettling atmosphere of building dread, while their character development is second to none, benefitting their top-notch cast no end. Mackie is typically excellent, bringing compelling vulnerability to the role that makes it easy to root for him as he gets further out of his depth in this twisted temporal labyrinth, while Dornan invests Dennis with a painfully human fallibility, and Ioannides does a lot with very little real screen time in her key role as ill-fated Brianna. The time-bending sequences are suitably disorienting and disturbing, utilising pleasingly subtle use of visual effects to further mess with your head, and the overall mechanics of the drug and its effects are fiendishly crafted, while the directors tighten the screw of slowburn tension throughout, building to a suitably offbeat ending that’s as devastating as anything we’ve seen from them so far. Altogether this is another winning slice of genre-busting weirdness from a filmmaking duo who deserve continued success in the future, and I for one will be watching eagerly.

8. WITHOUT REMORSE – I’m a big fan of Tom Clancy, to me he was one of the ultimate escapist thriller writers, and whenever a new adaptation of one of his novels comes along I’m always front of the line to check it out. The Hunt For Red October is one of my favourite screen thrillers OF ALL TIME, while my very favourite Clancy adaptation EVER, the Jack Ryan TV series, is, in my opinion, one of the very best Original shows that Amazon have ever done. But up until now my VERY FAVOURITE Clancy creation, John Clark, has always remained in the background or simply absent entirely, putting in an appearance as a supporting character in only two of the movies, tantalising me with his presence but never more than a teaser. Well that’s all over now – after languishing in development hell since the mid-90s, the long-awaited adaptation of my favourite Clancy novel, the origin story of the top CIA black ops operative, has finally arrived, as well as a direct spin-off from distributor Amazon’s own Jack Ryan series. Michael B. Jordan plays John Kelly (basically Clark before he gained his more famous cover identity), a lethally efficient, highly decorated Navy SEAL whose life is turned upside down when a highly classified operation experiences deadly blowback as half of his team is assassinated in retaliation, while Kelly barely survives an attack in which his heavily pregnant wife is killed. With the higher-ups unwilling the muddy the waters while scrambling to control the damage, Kelly, driven by rage and grief, takes matters into his own hands, embarking on a violent personal crusade against the Russian operatives responsible, but as he digs deeper with the help of his former commanding officer, Lt. Commander Karen Greer (Queen & Slim’s Jodie Turner-Smith), and mid-level CIA hotshot Robert Ritter (Jamie Bell), it becomes clear that there’s a far more insidious conspiracy at work here … in the past the Clancy adaptations we’ve seen tend to be pretty tightly reined-in affairs, going for a PG-13 polish that maintains the intellectual fireworks but still tries to keep the violence clean and relatively family-friendly, but this was never going to be the case here – Clark has always been Jack Ryan’s dark shadow, Clancy’s righteous man without the moral restraint, and a PG-13 take never would have worked, so going for an unfettered R-rating is the right choice. Jordan’s Kelly/Clark is a blood-soaked force of nature, a feral dog let off the leash, bringing a brutal ferocity to the action that does the literary source proud, tempered by a wounded vulnerability that helps us to sympathise with the broken but still very human man behind the killer; Turner-Smith, meanwhile, regularly matches him in the physical stakes, jumping into the action with enthusiasm and looking damn fine doing it, but she also brings tight control and an air of pragmatic military professionalism that makes it easy to believe in her not only as an accomplished leader of fighting men but also as the daughter of Admiral Jim Greer, while Bell is arrogant and abrasive but ultimately still a good man as Ritter; Guy Pearce, meanwhile, brings his usual gravitas and quietly measured charisma to proceedings as US Secretary of Defence Thomas Clay, and Lauren London makes a suitably strong impression during her brief screen time to make her absence keenly felt as Kelly’s wife Pam. The action is intense, explosive and spectacularly executed, culminating in a particularly impressive drawn-out battle through a Russian apartment complex, while the labyrinthine plot is intricately crafted and unfolds with taut precision, but then the screenplay was co-written by Taylor Sheridan, who here reteams with Sicario 2 director Stefano Sollida, who’s also already proven to be a seasoned hand at this kind of thing, and the result is a tense, knuckle-whitening suspense thriller that pays magnificent tribute to the most compelling creation of one of the best authors in the genre. Amazon have signed up for more with already greenlit sequel Rainbow Six, and with this directly tied in with the Jack Ryan TV series too I can’t help holding out hope we just might get to see Jordan’s Clark backing John Krasinski’s Ryan up in the future …

7. RAYA & THE LAST DRAGON – with UK cinemas still closed I’ve had to live with seeing ALL the big stuff on my frustratingly small screen at home, but at least there’s been plenty of choice with so many of the big studios electing to either sell some of their languishing big projects to online vendors or simply release on their own streaming services. Thank the gods, then, for the House of Mouse following Warner Bros’ example and releasing their big stuff on Disney+ at the same time in those theatres that have reopened – this was one movie I was PARTICULARLY looking forward to, and if I’d had to wait and hope for the scheduled UK reopening to occur in mid-May I might have gone a little crazy watching everyone else lose it over something I still hadn’t seen. That said, it WOULD HAVE been worth the wait – coming across sort-of a bit like Disney’s long overdue response to Dreamworks’ AWESOME Kung Fu Panda franchise, this is a spellbinding adventure in a beautifully thought-out fantasy world heavily inspired by Southeast Asia and its rich, diverse cultures, bursting with red hot martial arts action and exotic Eastern mysticism and brought to life by a uniformly strong voice cast dominated by actors of Asian descent. It’s got a cracking premise, too – 500 years ago, the land of Kumandra was torn apart when a terrible supernatural force known as the Druun very nearly wiped out all life, only stopped by the sacrifice of the last dragons, who poured all their power and lifeforce into a mystical gem. But when the gem is broken and the pieces divided between the warring nations of Fang, Heart, Spine, Tail and Talon, the Druun return, prompting Raya (Star Wars’ Kelly Marie Tran), the fugitive princess of Heart, to embark on a quest to reunite the gem pieces and revive the legendary dragon Sisu in a desperate bid to vanquish the Druun once and for all. Moana director Don Hall teams up with Blindspotting helmer Carlos Lopez Estrada (making his debut in the big chair for Disney after helping develop Frozen), bringing to life a thoroughly inspired screenplay co-written by Crazy Rich Asians’ Adele Kim which is full to bursting with magnificent world-building, beautifully crafted characters and thrilling action, as well as the Disney prerequisites of playful humour and tons of heart and soul. Tran makes Raya an feisty and engaging heroine, tough, stubborn and a seriously kickass fighter, but with true warmth and compassion too, while Gemma Chan is icy cool but deep down ultimately kind of sweet as her bitter rival, Fang princess Namaari, and there’s strong support from Benedict Wong and Good Boys’ Izaac Wang as hard-but-soft Spine warrior Tong and youthful but charismatic Tail shrimp-boat captain Boun, two of the warm-hearted found family that Raya gathers on her travels. The true scene-stealer, however, is the always entertaining Awkwafina, bringing Sisu to life in wholly unexpected but thoroughly charming and utterly adorable fashion, a goofy, sassy and sweet-natured bundle of fun who grabs all the best laughs but also unswervingly champions the film’s core messages of peace, unity and acceptance in all things, something which Raya needs a lot of convincing to take to heart. Visually stunning, endlessly inventive, consistently thrilling and frequently laugh-out-loud funny, this is another solid gold winner once again proving that Disney can do this kind of stuff in their sleep, but it’s always most interesting when they really make the effort to create something truly special, and that’s just what they’ve done here. As far as I’m concerned, this is one of the studio’s finest animated features in a good long while, and thoroughly deserving of your praise and attention …

6. THE MITCHELLS VS THE MACHINES – so what piece of animation, you might be asking, could POSSIBLY have won over Raya as my animated feature of the year so far? After all, it would have to be something TRULY special … but then, remember Spider-Man: Into the Spider-Verse? Back in 2018, that blew me away SO MUCH that it very nearly became my top animated feature of THE PAST DECADE (only JUST losing out, ultimately, to Dreamworks’ unstoppable How to Train Your Dragon trilogy). When I heard its creators, the irrepressible double act of Phil Lord and Christopher Miller (The Lego Movie, Cloudy With a Chance of Meatballs), were going to be following that up with this anarchic screwball comedy adventure, I was VERY EXCITED INDEED, a fervour which was barely blunted when its release was, inevitably, indefinitely delayed thanks to the global pandemic, so when it finally released at the tail end of the Winter-Spring season I POUNCED. Thankfully my faith was thoroughly rewarded – this is an absolute riot from start to finish, a genuine cinematic gem I look forward to going back to for repeated viewings in the near future, just to soak up the awesomeness – it’s hilarious to a precision-crafted degree, brilliantly thought-out and SPECTACULARLY well-written by acclaimed Gravity Falls writer-director Mike Rianda (who also helms here), injecting the whole film with a gleefully unpredictable, irrepressibly irreverent streak of pure chaotic genius that makes it a affectionately endearing and utterly irresistible joyride from bonkers start to adorable finish. The central premise is pretty much as simple as the title suggests, the utterly dysfunctional family in question – father Rick (Danny McBride), born outdoorsman and utter technophobe, mother Linda (Maya Rudolph), much put-upon but unflappable even in the face of Armageddon, daughter Katie (Broad City co-creator Abbi Jacobson), tech-obsessed and growing increasingly estranged from her dad, and son Aaron (Rianda himself), a thoroughly ODD dinosaur nerd – become the world’s only hope after naïve tech mogul Mark Bowman (Eric Andre), founder of PAL Labs, inadvertently sets off a robot uprising. Cue a wild ride comedy of errors of EPIC proportions … this is just about the most fun I’ve had with a movie so far this year, an absolute riot throughout, but there’s far more to it than just a pile of big belly laughs, with the Mitchells all proving to be a lovable bunch of misfits who inspire just as much deep, heartfelt affection as they learn from their mistakes and finally overcome their differences, becoming a better, more loving family in the process, McBride and Jacobson particularly shining as they make our hearts swell and put a big lump in our throat even while they make us titter and guffaw, while the film has a fantastic larger than (virtual) life villain in PAL (Olivia Colman), the virtual assistant turned megalomaniacal machine intelligence spearheading this technological revolution. Much like its Spider-Man-shaped predecessor, this is also an absolutely STUNNING film, visually arresting and spectacularly inventive and bursting with neat ideas and some truly beautiful stylistic flair, frequently becoming a genuine work of cinematic art that’s as much a feast for the eyes as it is the intellect and, of course, the soul. Altogether then, this is definitely the year’s most downright GORGEOUS film so far, as well as UNDENIABLY its most FUN. Lord and Miller really have done it again.

5. P.G. PSYCHO GOREMAN – the year’s current undeniable top guilty pleasure has to be this fantastic weird, thoroughly over-the-top and completely OUT THERE black comedy cosmic horror that doesn’t so much riff on the works of HP Lovecraft as throw them in a blender, douse them with maple syrup and cayenne pepper and then hurl the sloppy results to the four winds. On paper it sounds like a family-friendly cutesy comedy take on Call of Cthulu et al, but trust me, this sure ain’t one for the kids – the latest indie horror offering from Steven Kostanski, co-creator of the likes of Manborg, Father’s Day and The Void, this is one of the weirdest movies I’ve seen in years, but it’s also one of the most gleefully funny, playing itself entirely for yucks (frequently LITERALLY). Mimi (Nita Josee-Hanna) and Luke (Owen Myre) are a two small-town Canadian kids who dig a big hole of their backyard, accidentally releasing the Arch-Duke of Nightmares (Matthew Ninaber and the voice of Steven Vlahos), an ancient, god-tier alien killing machine who’s been imprisoned for aeons in order to protect the universe from his brutal crusade of death and destruction. To their parents’ dismay, Mimi decides to keep him, renaming him Psycho Goreman (or “P.G.” for short) and attempting to curb his superpowered murderous impulses so she can have a new playmate. But the monster’s original captors, the Templars of the Planetary Alliance, have learned of his escape, sending their most powerful warrior, Pandora (Kristen McCulloch), to destroy him once and for all. Yup, this movie is just as loony tunes as it sounds – Kostanski injects the film with copious amounts of his own outlandish, OTT splatterpunk extremity, bringing us a riotous cavalcade of bizarrely twisted creatures and mutations (brought to life through some deliciously disgusting prosthetic effects work) and a series of wonderfully off-kilter (not to mention frequently off-COLOUR) darkly comic skits and escapades, while the sense of humour is pretty bonkers but also generously littered with nuggets of genuine sharply observed genius. The cast, although made up almost entirely of unknowns, is thoroughly game, and the kids particularly impress, especially Josee-Hanna, who plays Mimi like a flamboyant, mercurial miniature psychopath whose zinger-delivery is clipped, precise and downright hilarious throughout. There are messages of love conquering all and the power of family, both born and made, buried somewhere in there too, but ultimately this is just 90 minutes of wonderful weirdness that’s sure to melt your brain but still leave you with a big dumb green when it’s all over. Which is all we really want from a movie like this, right?

4. SPACE SWEEPERS – all throughout the pandemic and the interminable lockdowns, Netflix have been a consistent blessing to those of us who’ve been craving the kind of big budget blockbusters we have (largely) been unable to get at the cinema. Some of my top movies of 2020 were Netflix Originals, and they’ve continued the trend into 2021, having dropped some choice cuts on us over the past four months, with some REALLY impressive offerings still to come as we head into the summer season (roll on, Zack Snyder’s Army of the Dead!). In the meantime, my current Netflix favourite of the year so far is this phenomenal milestone of Korean cinema, lauded as the country’s first space blockbuster, which certainly went big instead of going home. Writer-director Jo Sung-hee (A Werewolf Boy, Phantom Detective) delivers big budget thrills and spills with a bombastic science-fiction adventure cast in the classic Star Wars mould, where action, emotion and fun characters count for more than an admittedly simplistic but still admirably archetypical and evocative plot – it’s 2092, and the Earth has become a toxic wasteland ruined by overpopulation and pollution, leading the wealthy to move into palatial orbital habitats in preparation for the impending colonisation of Mars, while the poor and downtrodden are packed into rotting ghetto satellites facing an uncertain future left behind to fend for themselves, and the UTS Corporation jealously guard the borders between rich and poor, presided over by seemingly benevolent but ultimately cruel sociopathic genius CEO James Sullivan (Richard Armitage). Eking out a living in-between are the space sweepers, freelance spaceship crews who risk life and limb by cleaning up dangerous space debris to prevent it from damaging satellites and orbital structures. The film focuses on the crew of sweeper vessel Victory, a ragtag quartet clearly inspired by the “heroes” of Cowboy Bebop – Captain Jang (The Handmaiden’s Kim Tae-ri), a hard-drinking ex-pirate with a mean streak and a dark past, ace pilot Kim Tae-ho (The Battleship Island’s Song Joong-ki), a former child-soldier with a particularly tragic backstory, mechanic Tiger Park (The Outlaws’ Jin Seon-Kyu), a gangster from Earth living in exile in orbit, and Bubs (a genuinely flawless mocapped performance from A Taxi Driver’s Yoo Hae-jin), a surplus military robot slumming it as a harpooner so she can earn enough for gender confirmation. They’re a fascinating bunch, a mercenary band who never think past their next paycheque, but there’s enough good in them that when redemption comes knocking – in the form of Kang Kot-nim (newcomer Park Ye-rin), a revolutionary prototype android in the form of a little girl who may hold the key to bio-technological ecological salvation – they find themselves answering the call in spite of their misgivings. The four leads are exceptional (as is their young charge), while Armitage makes for a cracking villain, delivering subtle, restrained menace by the bucketload every time he’s onscreen, and there’s excellent support from a fascinating multinational cast who perform in a refreshingly broad variety of languages. Jo delivers spectacularly on the action front, wrangling a blistering series of adrenaline-fuelled and explosive set-pieces that rival anything George Lucas or JJ Abrams have sprung on us this century, while the visual effects are nothing short of astounding, bringing this colourful, eclectic and dangerous universe to vibrant, terrifying life; indeed, the world-building here is exceptional, creating an environment you’ll feel sorely tempted to live in despite the pitfalls. Best of all, though, there’s tons of heart and soul, the fantastic found family dynamic at the story’s heart winning us over at every turn. Ultimately, while you might come for the thrills and spectacle, you’ll stay for these wonderful, adorable characters and their compelling tale. An undeniable triumph.

3. JUDAS & THE BLACK MESSIAH – I’m a little fascinated by the Black Panther Party, I find them to be one of the most intriguing elements of Black History in America, but outside of documentaries I’ve never really seen a feature film that’s truly done the movement justice, at least until now. It’s become a major talking point of the Awards Season, and it’s easy to see why – director Shaka King is a protégé of Spike Lee, and together with up-and-coming co-screenwriter Wil Berson he’s captured the fire and fervour of the Party and their firebrand struggle for racial liberation through force of arms, as well as a compelling portrait of one of their most important figures, Fred Hampton, the Chairman of the Illinois Chapter of the BPP and a powerful political activist who could have become the next Martin Luther King or Malcolm X. Get Out’s Daniel Kaluuya is magnificent in the role, effortlessly holding your attention in every scene with his laconic ease and deceptively friendly manner, barely hinting at the zealous fire blazing beneath the surface, but the film’s true focus is the man who brought him down, William O’Neal, a fellow Panther and FBI informant placed in the Chapter to infiltrate the movement and find a way for the US Government to bring down what they believed to be one of the country’s greatest internal threats. Lakeith Stanfield (Sorry to Bother You, Knives Out) delivers a suitably complex performance as O’Neal, perfectly embodying a very clever but also very desperate man walking a constant tightrope to maintain his cover in some decidedly wary company, but there’s never any real sense that he’s playing the villain, Stanfield largely garnering sympathy from the viewer as we’re shamelessly made to root for him, especially once he starts falling for the very ideals he’s trying to subvert – it’s a true star-making performance, and he even holds his own playing opposite Kaluuya himself. The rest of the cast are equally impressive, Dominique Fishback (Project Power, The Deuce) particularly holding our attention as Hampton’s fiancée and fellow Panther Akua Njeri, as does Jesse Plemmons as O’Neal’s idealistic but sympathetic FBI handler Roy Mitchell, while Martin Sheen is the film’s nominal villain in a chillingly potent turn as J. Edgar Hoover. This is an intense and thrilling film, powered by a tense atmosphere of pregnant urgency and righteous fury, but while there are a few grittily realistic set pieces, the majority of the fireworks on display are performance based, the cast giving their all and King wrestling a potent and emotionally resonant, inescapably timely history lesson that informs without ever slipping into preachy exposition, leaving an unshakable impression long after the credits have rolled. This doesn’t just earn all the award-winning kudos it gained, it deserved A LOT MORE recognition that it got, and if this were a purely critical rundown list I’d have to put it in the top spot. As it is I’m monumentally enamoured of this film, and I can’t sing its praises enough …

2. RUN, HIDE, FIGHT – the biggest surprise hit for me so far this year was this wicked little indie suspense thriller from writer-director Kyle Rankin (Night of the Living Deb), which snuck in under the radar but is garnering an impressive reputation as a future cult sleeper hit. Critics have been less kind, but the subject matter is a pretty thorny issue, and if handled the wrong way it could have been in very poor taste indeed. Thankfully Rankin has crafted a corker here, initially taking time to set the scene and welcome the players before throwing us headfirst into an unbelievably tense but also unsettlingly believable situation – a small town American high school becomes the setting for a fraught siege when a quartet of disturbed students take several of their classmates hostage at gunpoint, creating a social media storm in the process as they encourage the capture of the crisis on phone cameras. While the local police gather outside, the shooters discover another threat from within the school throwing spanners in the works – Zoe Hull (Alexa & Katie’s Isabel May), a seemingly nondescript girl who happens to be the daughter of former marine scout sniper Todd (Thomas Jane). She’s wound pretty tight after the harrowing death of her mother to cancer, fuelled by grief and conditioned by her father’s training, so she’s determined to get her friends and classmates out of this nightmare, no matter what. Okay, so the premise reads like Die Hard in a school, but this is a very different beast, played for gritty realism and shot with unshowy cinema-verité simplicity, Rankin cranking up the tension beautifully but refusing to play to his audience any more than strictly necessary, drip-feeding the thrills to maximum effect but delivering some harrowing action nonetheless. The cast are top-notch too, Jane delivering a typically subtle, nuanced turn while Treat Williams is likeably stoic as world-weary but dependable local Sherriff Tarsey, Rhada Mitchell intrigues as the matter-of-fact phantom of Zoe’s mum, Jennifer, that she’s concocted to help her through her mourning, Olly Sholotan is sweetly geeky as her best friend Lewis, and Eli Brown raises genuine goosebumps as an all-too-real teen psychopath in the role of terrorist ringleader Tristan Voy. The real beating heart and driving force of the film, though, is May, intense, barely restrained and all but vibrating with wounded fury, perfectly believable as the diminutive high school John McClane who defies expectations to become a genuine force to be reckoned with, as far as I’m concerned one of this year’s TOP female protagonists. Altogether this is a cracking little thriller, a precision-crafted little action gem that nonetheless raises some troubling questions and treats its subject matter with utmost care and respect, a film that’s destined for major cult classic status, and I can’t recommend it enough.

1. NOBODY – do you love the John Wick movies but you just wish they took themselves a bit less seriously? Well fear not, because Derek Kolstad has delivered fantastically on that score, the JW screenwriter mashing his original idea up with the basic premise of the Taken movies (former government spook/assassin turned unassuming family man is forced out of retirement and shit gets seriously trashed as a result) and injecting a big dollop of gallows humour. This time he’s teamed up with Ilya Naishuller, the stone-cold lunatic who directed the deliriously insane but also thoroughly brilliant Hardcore Henry, and the results are absolutely unbeatable, a pitch perfect jet black action comedy bursting with neat ideas, wonderfully offbeat characters and ingenious plot twists. Better Call Saul’s Bob Odenkirk is perfect casting as Hutch Mansell, the aforementioned ex-“Auditor”, a CIA hitman who grew weary of the lifestyle and quit to find some semblance of normality with his wife Becca (Connie Nielsen), with whom he’s had two kids. Ultimately, he seems to have “overcompensated”, and his life has stagnated, Hutch following a autopiloted day-to-day routine that’s left him increasingly unfulfilled … then fate intervenes and a series of impulsive choices see him falling back on his old ways while defending a young woman from drunken thugs on a late night bus ride. Problem is, said lowlifes work for the Russian Mob, specifically Yulian Kuznetsov (Leviathan’s Aleksei Serebryakov), a Bratva boss charged with guarding the Obshak, who must exact brutal vengeance in order to save face. Cue much bloody violence and entertaining chaos … Kolstad can do this sort of thing in his sleep, but his writing married with Naishuller’s singularly BONKERS vision means that the anarchy is dialled right up to eleven, while the gleefully dark sense of humour shot through makes the occasional surreality and bitingly satirical observation on offer all the more exquisite. Odenkirk is a low-key joy throughout, initially emasculated and pathetic but becoming more comfortable in his skin as he reconnects with his old self, while Serebryakov hams things up spectacularly, chewing the scenery with aplomb; Nielsen, meanwhile, brings her characteristic restrained classiness to proceedings, Christopher Lloyd and the RZA are clearly having the time of their lives as, respectively, Hutch’s retired FBI agent father David and fellow ex-spook half-brother Harry, and there’s a wonderfully game cameo from the incomparable Colin Salmon as Hutch’s former handler, the Barber. Altogether then, this is the perfect marriage of two fantastic worlds – an action-packed thrill ride as explosively impressive as John Wick, but also a wickedly subversive laugh riot every bit as blissfully inventive as Hardcore Henry, and undeniably THE BEST MOVIE I’ve seen so far this year. Sure, there’s some pretty heavyweight stuff set to (FINALLY) come out later this year, but this really will take some beating …

#movies 2021 #zack snyder's justice league #synchronic #synchronic movie #without remorse #raya and the last dragon #the mitchells vs the machines #pg psycho goreman #psycho goreman #space sweepers #judas and the black messiah #run hide fight #nobody #nobody movie

13 notes · View notes

dismembered-narrator · 3 years ago

Text

i just watched the vigil, so here's a review

stuff i didn't like:

the jumpscares were all loud, annoying, and pointless. you had a perfectly good psychological horror movie and look what you've done, you've given it jumpscarea

i didn't super understand the very first scene (that came back at the end of the film) but that's probably just me not paying close enough attention

hulu doesn't have subtitles :(

stuff i did like:

literally everything else

this movie slaps so hard

seriously

the horror elements were really well done, and it's really good at building tension

i liked how they made the main character's actions understandable, like you're never shouting at the screen that he's doing something stupid because he's being fairly logical, given his situation and perspective

speaking of the main character, the guy who plays him did a fantastic job

the themes of the movie were also done very well, i love it when horror movies have a strong central theme, especially when the monster represents that theme in some way

overall, just a very good indie horror movie

#the vigil 2019 #horror movies #the review calling it a 'bone-crunching thriller'............ someone thinks theyre funny

8 notes · View notes

marksarmel · 4 years ago

Text

What I’m Consuming 02/09/21

You know it’s been a long time since I’ve done one of these. I could make excuses, but they’re the all same ones you and all your friends are making about not getting shit done, and they’re all true!

So, gather ‘round ye mongrels of media as we attempt to satisfy our primal urge to consume!

Wandavision - So much good stuff! I don’t need to talk much about it because everyone else is doing it for me. Just watch it and then talk about it with all your friends.

30 Coins - This Spanish horror series started out great and stayed great…until the last episode. I still recommend watching it because it veers from camp to monster gore to pure horror fun and back again. The characters are well written and some “heroes” end up playing against expectations while others are just what they seem. It’s a good watch just reset some expectations for that last episode.

The Head - A group of scientists and support crew hunker down in a remote arctic research station and before you know it strange things are afoot! The communications have been destroyed, people are dying and no one knows whodunnit! This is that fun genre of movies where a group of people are completely isolated and it constantly has you asking, “whose the bad one?”. Good stuff.

MOVIES

Sound of Metal - Can a movie about a metal band be introspective and even meditative? Watch and find out. Riz Ahmed paints an enthralling portrait of loss, stubbornness and what comes after. Props to the deft sound design of this movie.

Palm Springs - If you’re like anyone else in the world right now you probably need a pick me up. Watch this This time loop, comedy, love story if you want to laugh and smile. If you’ve got someone to share it with all the better. I would love to see this movie again at a drive in with someone special.

His House - This haunted house horror movie about two Sudanese refugees hits on several levels and bursts at the seems with tension. I quickly recognized Wunmii Mosaku from Lovecraft Country, but this is the first time I’d seen Sope Dirisu. Both put on great performances that pull at the heart in both fear and sadness. Great overwhelming dread throughout!

MUSIC

Operators - Some friends recommended this other other band from Wolf Parade frontman Daniel Boeckner. It’s full of 90’s synth nostalgia references while pushing their sound into something modern and intriguing. A good listen on a road trip with your 90’s high school friends or to bop along to while housecleaning.

Dave Grohl and Greg Kurstin’s Hanukkah Sessions - Note: I was supposed to write this in December so this is a bit outdated, but this is still a fun thing to listen to so shut up and listen). These fun covers dropping daily throughout the 8 days of Hanukkah stretch from The Beastie Boys to Drake to Peaches to Mountain’s Mississippi Queen and more. Just good grungy fun, my favorite of the bunch is Elastica’s Connected.

Y La Bamba - Entre Los Dos (Between the Two) - I stumbled across this band on Spotify through their track Ojos Del Sol. Their sound immediately grabbed me in a warm caress and lovingly held me as ones cultural mother might hold a long lost child. This is folk music, Mexican music and in some way spiritual music. It will firmly be part of the soundtrack to the journey of me discovering more about my culture and my own self.

COMICS/BOOKS

The Glass Hotel - I finished Emily St. John’s most recent book far too quick. A plot device that finds characters orbiting around a key event only to come crashing into each other is her signature move at this point. And while things are slightly different this time around, it’s all told with such mesmerizing prose that I can’t help but long for her next book. The characters are at once real and fantastical, they’re not quite someone you know, but are more of a friend of a friend. Complicated and simple and sad and selfish and hard to figure out, in other words, like actual people.

Miles Morales Spider-Man - Book 3 - More good stuff writer Saladin Ahmed and a bevy of top notch artists, including Javier Garron, Ze Carlos and Belén Ortega. This story moves at a breezy clip and Ahmed excels at building relationships between characters, but the action seems to move along too quickly. There’s no highs and lows in the fights scenes, an enemy shows up, a few punches are thrown, Miles quickly gets the best of the enemy. I just want to see a bit more tension in some of these scenes. Otherwise this is a fun read that add some nice bits to the Miles Morales character.

GAMES

Hades - This is a fantastic Metroidvania style game that instantly had me staying up way past my bedtime. While some may not like the repetitive gameplay I wasn’t bothered by it. I was also completely hooked by the storyline and the great dialogue. Also, the art and music is top notch!

RANDOM NOTES

I’m going to try and get one of this out every month. Wish me luck.

#what I'm consuming #watching tv #watching movies #playing video games #reading books #reading comic books #reading comics #movie reivew #tv show review #comics review #book review #video game review

7 notes · View notes

neurodecadence · 3 years ago

Note

Sorry in advance bc I don't think I've subjected you to this before but Do The Prime Numbers

the only apology I need is for making me remember maths

2 (cause one doesn't count as a prime, right? I never got why though) "what's your favorite horror subgenre?" I love found footage. I know it's cliched and dumb, all that jazz, but I love the whole cinema verite (to sound pretentious) vibes of the whole thing. I know it's fake, I know the undead didn't kill a whole town in southern texas, I know a monster didn't destroy new york, I know there's not an asylum in toronto haunted by the ghosts of patients subjected to satanic abuse (actually considering the history of asylums, you never know on that one) but it FEELS real, like I'm seeing something I'm not supposed to. The low budget only amplifies the joy for me.

3 "you're planning a horror movie marathon with your friends - which movies are you picking?" Grave Encounters (love the genius locii/house of leaves stuff going on there), Halloween (classic), Southbound (great anthology horror, highly recommend), and capping it off with Evidence, so we can all go to bed going "what the FUCK did you just put in front of me"

4 "you can go back in time and watch a horror movie of your choice on its premiere - which movie are you going to see?" Alien, the first one. I'd kill to be there for the chestburster scene for the FIRST TIME EVER, it's not even a question

5 "if you were a character in a horror movie, what kind of movie would it be? what kind of character would you be? what would be your fate?" It's a found footage, and I'm the camera holder's best pal and genre savvy, funny sidekick. I make it through most of the movie, my jokes breaking the tension (even if I do get yelled at in an important character building scene for making light of the situation, where I break down and explain it's cause I'm frightened too). Late in the film it's just me, the camera holder, and their love interest, a chance to escape appears, but the threat is just behind us; someone is going to have to make a final stand to let the others go. The main character say's they'll do it, but I stop them and tell them I won't let them, they need to get out of here. My final lines are "You know me, this is always how I've wanted to go out, keeping my best friend safe and looking like a total badass" As they flee the camera is turned back, showing flashes of light, banging, and me yelling cliches and one liners at the monsters I beat back, until a strangled cry, and then nothing.

7 "answer for real life vs if you were a slasher movie character: a murder has occurred. somebody you knew, though only in passing, got knifed by some psycho killer and the whole town is in shock. the school fool has taken it upon themselves to throw a party in the midst of all of this, "to celebrate life", as they say. - you get an invitation but are you going to the party?"

Fuuuuuuck no, and not just cause I'm not a party kind of gal in the first place (well, maybe a chill drinks and background music kinda shindig). I'm also encouraging people I know to not go, cause it's genuinely pretty disrespectful, might invite some friends so we can share any memories we have and share a quiet evening. In real life, that's about where it ends, probably. In a slasher, we probably get knifed BEFORE the big party, one of us makes it out, runs to the party covered in blood yelling about the killer, causing a panic that only makes things worse when the stabbing starts. You just can't win when you got a Jason type bastard on the loose, can you?

11 "answer for real life vs if you were a slasher movie character: you escaped the killer but your friends are still stuck on their hunting ground, hiding and running for their lives. do you go back for them?"

Hell yeah I do! I'm running that cunt down with my car (which would probably be a prius everyone else made fun of earlier, making it more dramatically and comedically satisfying). IRL, the killer is now pavement jam. In a film, we might have a problem.

13 "you're offered the chance to privately talk to a horror villain of your choice, currently kept secure in a government facility. your safety during the encounter is guaranteed. do you take the offer? and if you do, who do you pick? why?"

No, I can't think of any that could tell me anything I'm, like, desperate to know. Anything worth that effort. Maybe Pinhead, to ask about the cosmology of the world, but he'd probably say some shit that made me go mad and, like, die horribly. Also I don't think I'm smart enough to "get" it.

17 "would you rather have chucky try and transfer his soul into your body or have the sawyer family try and put you on their dinner table?"

Sawyers. You never win VS that bastard doll, but leatherface is still human. Barely, but still.

19 "the asker gets to make up a would-you-rather question of their own."

Apparently the question was "do you wanna see if you can remember the primes, or ignore it and not risk embarrassing yourself" The answer is that I have very little pride or shame left, and I like answering questions too much to ignore it c:

23 "what are some things that give you the total creeps? places, items, even certain times that you try to avoid whenever possible?"

So, okay, it's well known that I'm a brainweird bitch (read: legitimately mentally ill, but trying to be cool about it), but also sometimes I just... See shit. I know logically it's probably visual hallucinations, or memory problems, pareidolia, or a sensible explanation for deja vu. BUT There is SOME shit I have seen that I can't ignore. Houses that don't make sense no matter how I look at them, the moonwatcher, catghosts, and that one thing I will not talk about because I just know in the back of my skull that it doesn't like being noticed. A lot of these are benevolent, or just not paying attention (the catghosts in particular are very chill, if a little bothersome some days), but there are some I will go out of my way to avoid or ignore. Maybe I'm being silly, hell, almost definitely, but I don't care. I don't want to poke at things I don't understand, only to find out it was a sleeping bear.

29 "29. are you dressing up this halloween?"

Shit I don't know if I'll get the chance. If I do.... Oh! I got it! I'm gonna go as my own corpse, being wheeled around in my wheelchair by my pal dressed as an evil spooky nurse! Grim, spooky, kinda funny when I stop playing dead and perk up to go "The punch is fantastic, by the way!", AND I get to have gruesome blood and injuries all over- it's perfect!

31 "make a list: halloween preparation shopping list."

Halloween ain't such a big thing down here in Aotearoa, sadly. I like to make a deal of it, but no one else does. Still, candy for handing out, a mix of some cheap bulk mix kids can get a handful of, and some nicer mini candy bars I can hand out one at a time. Costume supplies, fake cobwebs, and some other lil decorations. I'd love to own a house and go all out for it one year, but for now I can be content with the lil paper skeleton I have hanging in my room.

37 "it's halloween! the clock strikes midnight and at the edge of town, a witch is trying to summon you. what items will she need for the spell to work?"

I mean it's halloween, and it's a witch, so she's already mostly done. Aside from that... A plastic skull, A dvd copy of a crappy horror film, a 2 liter of sugar free coke, a crystal bell, and a chunk of rose quartz. AND a smooch- no way am I passing up that chance!

Thank you for all these questions, I had an absolute blast answering these!

#Asks #holy shit this was fun thank you so much

1 note · View note

twentiethcenturymoviesandtv · 4 years ago

Text

Frankenstein: Facets of Film

Once a movie settles on its script, characters, and the behind-the-scenes crew, there’s still plenty of steps left before a project is turned into a film.

As it turns out, there’s a lot of things to do in order to make a movie. There’s cameras, music, sets, special effects, costumes, and a whole lot of other stuff, done by a whole lot of people, that has to go into piecing together the parts of a coherent narrative in a way that makes sense to an audience. Not only is this important in the screenplay and direction, it’s also the job of everyone on set from the hair and makeup department to the grip and electric department.

See, not only does a film have to make sense, it usually has to look good, too.

These elements, cinematography, costuming, special effects, etc., are the elements that can catch the attention of an audience, taking a ‘good’ film, and turning it into a ‘great’ film, thanks to the powers of movie magic.

At first, this doesn’t seem to add up to a whole lot. I mean, like I’ve been saying, movies are centered on plots and characters, and the visuals are only an added bonus.

That’s true, but here’s the thing about movies.

Movies are, basically, a story in visual form. You can have a good story and characters in a book, but you have to make up what you’re seeing in your own mind. In a film, you have to watch what someone else made up. This can be either an advantage or a disadvantage, and the difference is made entirely thanks to the individuals on the production team. These ‘trimmings’, the elements that turn a story into a film, are incredibly important, not just to the filmmakers and the process itself, but to an audience.

Even casual movie-goers can interpret what the framing of some scenes is trying to tell them, even if they don’t know that it was the cinematography that told them that. Most audience members subconsciously internalize things like thematic costume changes, or a musical cue, without necessarily figuring out what exactly was getting that point across. The point is, these ‘facets of film’ are not only for filmmakers or movie critics: The storytelling shorthand is a tool that gives the audience all of the information they need to have, without spelling it all out in dialogue.

In other words, it’s very useful.

A truly great director knows to use these aspects of ‘storytelling shorthand’ well, not simply competently. Too often, directors can decide to focus the production crew, and the movie itself, in the wrong place: the trimmings instead of the tree. It’s a common problem, one that becomes more and more obvious as the range and scope for the abilities of special effects grows. Soon enough, they’ve put the plot and characters on the backburner in order to focus on the appearance of a film, and the finished project is more concerned with being a visual masterpiece than a good, compelling story.

There’s nothing wrong with being visually appetizing, but there is something important here: a balance.

In the best examples of film, visual storytelling accentuates its story, rather than overshadows it. These facets of film are used to get the film across in the most effective way possible, focusing on what is important: the story and characters.

Such is the case with James Whale’s 1931 film, Frankenstein.

Today, we’re going to be taking a look at the storytelling devices, the facts of film used by a movie crew, to answer this question:

How does Frankenstein use its movie-making tools in order to get across the story it wants to? And does it do it well, or just competently?

Let’s take a look, starting with something that may seem kind of obvious: the camerawork. (Spoilers below!)

The camerawork in a film can sometimes be the dealbreaker, or the dealmaker, depending on how it’s used. When the cinematography is done well, it’s breathtaking, when done competently, it is adequate, but when it’s done badly, you really notice. There’s a whole lot more to camerawork than just pointing it at the action. There’s a lot to consider, like setting, lighting, character placement, colors, mood of a scene, and even mood of a character. And trust me when I say that that’s not all they have to be thinking about.

The cinematography, along with the editing of shots, is purposefully trying to get a reaction out of the audience. A good director knows how to use the camera and his crew to emphasize certain details, moods, or even subtle clues or indications of the story itself in just what the audience is looking at. The camera is not just ‘pointed at the action’, it’s used to help tell the story, while leaving a visual mark on it.

Frankenstein demonstrates this masterfully.

There are plenty of examples of striking visuals in this film, scenes like the initial pan in the graveyard, taking in the tombstones, the funeral party, and finally Henry Frankenstein and Fritz. Or the fantastic ‘raising of the monster’ scene, combining the sparking of electricity and the intense visual atmosphere to build a tension of terror, or the utterly gripping shot of Henry watching his creation’s hand move. While all of these scenes are great, unfortunately, I can’t go shot-for-shot through Frankenstein to show you all of them. (Though stay tuned for scene spotlight, a feature that’s going to do just that) What I can do is point out a few special examples.

The first one I want to bring to your attention is a weird example. It’s the scene where Elizabeth and Victor are talking about how worried they are for Henry. This doesn’t sound like it should be all that interesting, after all, we want to get to the monster, but James Whale knew where to point a camera.

Most scenes open with an establishing shot, a wide shot that lets the audience get a look at where we are so they can orient themselves and the characters in the context of the area. This scene doesn’t do that.

It opens on a series of close-ups: The framed photo of Henry, Elizabeth’s face, the door opening and Victor walking in, and only then do you get a wide shot, taking full advantage of the grand set. Until then, the audience is subconsciously working to figure out where they are, and trying to orient themselves during it. It’s a fascinating technique, one that isn’t very common, even in this movie. It’s the only time he does it.

On the other hand, something that Whale does all the time is hold the camera at a distance from the action.

See, Frankenstein was based on a book, sure, but a book that had been adapted to the stage long before movie screens. As such, early adaptations of Frankenstein tended to be, at least a little, based on the stage play. Such was the case for this film.

As such, the movie is shot, in many instances, like a stage play.

There isn’t a whole lot of camera movement in Frankenstein. The camera is usually set kind of far back from the action, letting the audience see the players move around the set, kind of like they would in a play. The camera doesn’t move with them, just sits back and lets the audience see what’s going on. Watch the “It’s Alive!” shot, or the scene where the creature stalks Elizabeth.

Now, that isn’t to say that the camera doesn’t move at all. There’s plenty of slow pans (the shot where the monster is raised through the roof) and close-ups (the first good look at the monster). But for the most part, the audience is shown what’s going on from a slight distance, from Fritz in the classroom to Frankenstein confronting his monster.

It’s an interesting way to view the action, and at first, it can perhaps seem like a bad idea on paper. After all, you want the audience in close, being there with it. But in practice, in the film itself, it works very well. The slowness of the movement, (aided with the total lack of soundtrack) adds to tension. Being able to see the whole thing builds suspense for characters as you see what they don’t.

That being said, there are plenty of interesting shots, especially within Frankenstein’s lab, that allow you to explore the space in interesting ways, making full use of the weird angles and shadows to maximize ‘scare factor’. Even the close up of the monster’s hand moving with Frankenstein reacting to it in the same shot is a masterful example of the camera in close, emphasizing the tension of the scene. Other shots, like seeing Fritz’s hanged body in the background or that iconic first shot of the monster on its feet are all master-classes in and of themselves in using a camera to convey a feeling, as well as the story, to an audience.

But there’s more to a film’s atmosphere than camerawork. There’s the soundtrack, as well.

Or, in this case, the lack thereof.

We’re used to most movies having a soundtrack, favorites coming from geniuses like John Williams, Danny Elfman, or James Horner, but Frankenstein has no music in it at all once the opening credits stop.

Music seems like a natural part of filmmaking, from the heroic opening of Superman to the shrieking strings of Psycho, even to the haunting score of The Thing. Music sets the mood, helping the audience feel what’s going on in the story. Especially in horror, where the idea is to unsettle the audience, the soundtrack seems essential, building up tension and scare-factor in a scene.

It seems odd that Frankenstein should be so totally silent.

However, it kind of works.

The silence of Frankenstein as a film works very much to the film’s advantage. You are forced to pay attention to characters and what they’re saying, true, but that’s not really a problem often faced with soundtracks. No, the benefits of the lack of music in this case are twofold, and they’re a little unusual:

1. Eerie silence works very well for this.

2. Without music cueing the audience in, it’s up to the individual viewer to determine what they think of characters.

The first point is the easiest to discuss, so let’s start there.

The only thing scarier than the creepy theme to Halloween is no theme whatsoever.

The absolute quiet in Frankenstein renders the tension harder to bear than if there had been music to cue the audience in. Hearing nothing but the thunder during the scene of the monster’s creation renders it a more vivid experience, putting the audience in the scene without background music to remind them that they’re in a movie. Even the scenes where the monster kills are more uncomfortable without music to warn us.

So yes, it’s scarier, in a way. It also forces the audience to pay more attention.

Music tells us a lot about a character or a film. It tells us that Luke Skywalker wants more, and that Darth Vader is scary. It tells us that Rocky is better for his training. It tells us that the dinosaurs in Jurassic Park are awesome.

In Frankenstein, it tells us nothing, because it’s not there at all.

The lack of musical cues for the audience forces them to pay attention and think about what is happening. Are we supposed to be scared? Sympathetic? Both? Neither? It’s hard to tell what music would play over the monster after he accidentally drowns Maria, or after Henry survives the climax at the windmill. In that, it’s up to the audience to interpret whether these things are meant to be seen as good or bad In that, somehow, a lack thereof still allows a soundtrack to do what it does best: accentuate the audience’s experience.

This ambiguity, also present in how the film is shot, allows this film to stand so firmly so many years later: it never gives you a thorough answer over what to think about what’s going on. For all its differences with the book, it does have one thing in common with it: it extends questions for you to answer, without providing much of its own. It’s on you to decide what to think.

Even though there wasn’t any music, there was a whole lot of something else: sets.

The setwork in Frankenstein is massive, hugely expansive atmospheres and locations for the audience to marvel at, and more importantly, be unsettled by. Shades of this scope appear later in things like Edward Scissorhands (albeit with a classic Tim Burton twist) and other horror-inspired films and shows, from the thunder-and-lightning surrounded tower to the interior of the lab.

James Whale shot sets in a grand way, letting the audience experience the grandiose scale of each individual location. From the huge Frankenstein mansion to the interior of the mad-scientist lab, to the cemetery, even to the burning windmill, each setting feels larger-than-life, giving the gothic set-design an even better chance to shine. The Frankenstein manor feels appropriately impressive, bright and safe, with shots that emphasize the scope of the luxury and the various rooms inside. The mill feels dangerous, dark and cramped, with too many obstacles.

But of course, the set that everyone remembers is the Frankenstein lab, and with good reason.

The tower, the stone walls, the electric gadgets and gizmos all going off together, the operating table, beakers galore, levers, control panels, and an open ceiling to raise the monster, now this is a mad-scientist laboratory.

Originally created in 1927 silent film Metropolis but codified forever in Frankenstein, James Whale knew how to shoot this set. Loosely based originally on the labs of Nikola Tesla, the lab of Dr. Frankenstein is so iconic that it’s been recreated (or re-used) in everything from straight horror films or loving spoofs like Young Frankenstein. Whale allows this place to feel unsettling, scary, helped enormously by Colin Clive’s crazed and uncomfortable performance as Henry Frankenstein. The lab, much like most of the sets in the film, is full of dark shadows, of stark contrasts, feeling intentionally scary.

Every set in this film is shot with plenty of shadow and darkness, allowing the audience to really feel uneasy. But the sets aren’t the only thing that are adding to the scare-factor. Also helping out drastically in these scenes is the special-effects department.

Long before the invention of CGI, monsters had to be created in the makeup chair. The original looks what’s considered the ‘classic’ monsters were created through layers of makeup and prosthetics, from Dracula’s fangs to the Wolfman’s animal face. The Frankenstein monster was no different.

The appearance of the monster could possibly be considered as the greatest special effect this film has to offer. The heavy lids, hollow features, electrodes and flat-topped head are all iconic visuals that continue into modern pop culture, and with good reason.

The effect of the original Frankenstein makeup was stunning, and instantly memorable. For a film made in 1931, the makeup on the original monster looks incredible, standing the test of time almost ninety years later. It remains a convincing effect, giving the creature a distinct, undead look that is incredibly striking.

But the visual look of the monster wouldn’t mean much of anything if it was just a makeup job. There has to be something there behind the makeup that makes it really work: the performance of the actor underneath.

Thankfully, Boris Karloff was more than up to the task.

See, no matter how good the cinematography, sets, or makeup, Frankenstein would be nothing if not for the final, essential ingredient: the performances.

And it is here that the movie goes from good to great.

As I’ve mentioned before, Frankenstein has no ‘small’ performances. Everyone in this film brings huge energy to each role, and no one more so than the monster himself, Boris Karloff.

Karloff manages an incredible range of expression through the heavy monster makeup, bringing out the monster’s innocent initial nature perfectly. He is able to portray the gambit of emotions, from fear to rage, to curiosity, to joy. It is Karloff’s performance that turns the monster into a creature that the audience sympathizes with, to the point that even when he is acting ‘monstrous’, it’s hard to forget his childlike happiness at playing with Maria. Karloff’s abilities as an actor force the audience to contend with the monster’s humanity, and his expression through the ‘dead’ makeup and heavy eyelids is as incredible as it is compelling. For one specific example, the scene where the creature is first exposed to light is a classic scene, that remains moving and powerful no matter how many times you see the film. Karloff’s performance is that of a confused creature, just learning about the world and finding it a harsh and dark place.

Colin Clive as Henry Frankenstein brings manic energy to his character in the first half, and regretful sobriety in the second. He is the perfect quintessential mad scientist, howling about his accomplishments and seeing nothing wrong with stealing bodies to stitch together to create life, until he realizes his mistake. Frankenstein’s transformation and breakdown is rendered believable and interesting through Clive’s incredible performance as the regretful scientist, determined to right his wrong after the monster runs loose. His switch from the emotionally-distant scientist to a man concerned with his friends and family is dramatic but understandable, and the audience buys his uncertainty just as much as they buy his mad ambition.

Mae Clarke’s showing as Elizabeth, despite not getting much in screen time or dialogue, manages to portray a woman trying to remain strong despite her fiance’s increasingly weird behavior and the undead-goings-on surrounding her wedding. She’s worried, but she’s also in love, and doesn’t want to leave Henry, despite the things he’s done.

Dwight Frye as Fritz is the quintessential Igor, the hunchback assistant that we now associate so strongly with the story. He’s a nasty being, mean-spirited and is ultimately the person most likely responsible for the creature’s bad streak of luck. A bully without scruples, Fritz helps Frankenstein assemble his equipment and parts, and eventually dies at the hands of the monster, managing to remain entirely unsympathetic the entire time, which seemed to be rather the point.

Edward Van Sloan’s portrayal is that of a perfectly ‘reasonable’ scientist, an old man accustomed to the ways of science. His concern is completely understandable, and he comes across exactly as he should: the opposite of Victor, entirely on the side of caution. Unfortunately, his caution also leads to the decision of killing the monster, but Van Sloan portrays this not so much as lack of humanity, but lack of empathy and understanding that he is also dealing with ‘humanity’. He is not a villain, but he isn’t really considering the whole picture here.

It is in these elements that Frankenstein truly becomes ‘immortal’

A film can have a great script, fantastic characters, and even great sets, cinematography and makeup, but it is in these incredible, vivid, vibrant performances that the film goes from good to great. Without the sympathetic monster, the manic mad scientist, or even the crooked (in more ways than one) lab assistant, Frankenstein as a film would be just another one of the many incarnations of the story. It is thanks to all of these facets of film that Frankenstein excels, going beyond simple ‘monster movie’ to horror classic.

Everything in this film is perfectly crafted for the specific needs of the screenplay. Every inch is designed to bring this spooky story to life, without forgoing depth of either the shadows or the characters. From the sets and the camerawork to the work of the actors themselves, everything in Frankenstein fits together perfectly, a horror classic, but also simply a film classic, a landmark that definitely deserves its place in Hollywood History as one of the greatest films of all time.

James Whale and his crew certainly knew what they were doing. Every facet of film, from the camerawork to the performances, demonstrating every mood and feeling without having to explain it. The sets and characters feel perfectly realized, gothic, creepy, and compelling, setting the mood for the thrills and chills story.

Full of scares and screams, Frankenstein’s facets of film come together to convey a great tone, characters, and story, and in the end, that’s exactly what they’re supposed to do.

Thanks so much for reading, and I hope to see you in the next article.